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Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols
Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols
Masters Theses
This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …
"What, To A Prisoner, Is The Fourth Of July?": Mumia Abu-Jamal And Contemporary Narratives Of Slavery, Luis Omar Ceniceros
"What, To A Prisoner, Is The Fourth Of July?": Mumia Abu-Jamal And Contemporary Narratives Of Slavery, Luis Omar Ceniceros
Open Access Theses & Dissertations
Writing from a specifically Black postmodern perspective, former death row inmate Mumia Abu-Jamal composes his multimedia slave narrative as a postmodern Neo-slave narrative. From the Atlantic slave-trade to the United States prison-industrial complex, from Quobna Ottobah Cugoano to Mumia Abu-Jamal, the slave narrative exists as a critique against oppressive State powers and a collective affirmation of interiority and embodied significance. For Abu-Jamal, his incarceration is indicative of an ever-pervasive capitalist power-structure that in the past has, in the present is, and in the future will control designated groups of made marginalized masses in order that preeminent capitalist beneficiaries preserve elite …
A Transnational Postmodernism : North Africa As A Locus For Postmodern Fiction, Steven Weber
A Transnational Postmodernism : North Africa As A Locus For Postmodern Fiction, Steven Weber
Legacy Theses & Dissertations (2009 - 2024)
Examining a 25-year period of literature about post-WWII North Africa by Paul Bowles, William S. Burroughs, Kateb Yacine, and Pierre Guyotat, A Transnational Postmodernism describes the creation of a particular kind of postmodern literature that has been shaped by the concerns of its colonial/postcolonial context. Such a shaping introduces postmodernity as a problem. This problem—astutely identified by Michael Hardt and Antonio Negri’s Empire—is that, at the moment of decolonization, as we move from modern to postmodern regimes of power and control, the typical elements of postmodernity (hybridity, et al) are no longer as necessarily liberatory as they once were against …
Wrestling With Angels: Postsecular Contemporary American Poetry, Paul T. Corrigan
Wrestling With Angels: Postsecular Contemporary American Poetry, Paul T. Corrigan
USF Tampa Graduate Theses and Dissertations
In the current “secular age,” more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many “postsecular” writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets “wrestle with angels” by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jürgen Habermas, Charles Taylor, John McClure and others puts the concept of the postsecular at the cutting edge of various fields of study, including religion, sociology, and literature, …