Arts and Humanities Commons^™

Happy Valley, Robert D. Gray

University of New Orleans Theses and Dissertations

No abstract provided.

Iktomi: A Character Traits Analysis Of A Dakota Culture Myth, Marianne Sue Kastner

Dissertations and Theses

This qualitative study comparing three separate English-language versions of a single Dakota cultural myth "Iktomi" presents a novel systematic approach for analyzing Native American folk tales to understand how stories function as tools of transmission of cultural information and knowledge. The method involved coding character traits according to type with regard to representation, ability, or attribute to ascertain patterns among the codes and elucidate character roles and relationships, reorganizing the coded traits into paired polarized correspondences to clarify relationships among traits, and assessing pronoun use and documenter effect pointing to gender-specific character activity. Findings revealed an encoded framework illuminating how …

On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor

Electronic Theses and Dissertations

This thesis discusses the effects of war on the southern plantation lifestyle depicted in Eudora Welty's Delta Wedding. This thesis focuses on the female characters who adapt to the absence of the husbands during wartime. Wars are the catalyst for societal change in the novel, and the women must adapt to the new social changes that are encroaching upon the plantation. The chapters explore each individual reaction of female characters in the novel. The female characters in Delta Wedding represent varying wars of reacting to shifting social norms brought about by war.

Monster Quest: Background Myth And Contemporary Context Of Edgar Allan Poe's "The Conqueror Worm", Farrah Senn

Electronic Theses and Dissertations

Poe's short story "Ligeia" and its companion poem "The Conqueror Worm" have garnered little critical attention, though he believed them to be his best works. Considering the archetypal image of the worm, contemporary references, and Poe's other uses of the symbol, an analysis of the poem and its context within the short story reveals the identity of the "hero" described in the final verse. This paper explores the archetypal nature of the worm by looking at snake myths from across the globe and applying Platonic/Jungian ideas to the image and its function in the poem. This work also discusses the …

“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas

University of New Orleans Theses and Dissertations

In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …

"A Shade Too Unreserved": Destabilizing Sexuality And Gender Constructs Of The New Negro Identity In Harlem Renaissance Literature, Renee E. Chase

Electronic Theses and Dissertations

Much of the Harlem Renaissance artistic movement was directly intertwined with the New Negro social movement of the time. Race leaders spoke to and influenced artistic trends, while artists often engaged with the New Negro race issues and social debates through their works. Wallace Thurman, Nella Larsen, and Zora Neale Hurston used their own fictional works to explore the New Negro construct being promoted. In examining the constructed nature of this New Negro identity, these artists strove to destabilize the social "norms" upon which the identity was based. As they thematically and stylistically explored such social constructs through their fiction, …

“To Make Myself For A Person”: The Bildungsroman In Modern Jewish-American Literature, Kari Lynn Keeling

Electronic Theses and Dissertations

Anzia Yezierska's Bread Givers and Abraham Cahan's The Rise of David Levinsky share many similarities: they both feature young Jewish protagonists who immigrate to America in search of the better life they believe America can provide. Though their novels have similar trajectories, each author answers the still relevant question of how immigrants might successfully assimilate into American culture in contrasting lights. Cahan's protagonist, in a superficial sense, achieves the "American dream," while Yezierska's Sara achieves a more modest success. However, Sara ultimately navigates the trials of cultural assimilation and identity formation more successfully. Levinsky gains monetary wealth by adapting to …

Of This Ground: Land As Refuge In The Works Of Three Kentucky Women Writers, Nicole Marie Drewitz-Crockett

Doctoral Dissertations

This dissertation investigates the memoirs, novels, and short stories of three women writers whose work is heavily invested in a sense of place and privileges women’s relationships to the land: Harriette Simpson Arnow, Bobbie Ann Mason, and Barbara Kingsolver. All of these women spent their formative years in Kentucky, which for the purposes of this project classifies them as “Kentucky writers.” As a group these women offer a one possible solution to modern concerns for women: a relationship to the land as refuge. Engagement with the land as refuge provides a sense of satisfaction, a source of therapy, and a …

The Children Of Cain: Melville's Use Of The Abject Lineage From The Bible, Joseph Matthew Meyer

Graduate Theses and Dissertations

This study looks at how the abject lineage--consisting of Cain, Ishmael and Esau--has played an influential role in the works of Herman Melville. While many critics have exploredthe relationship between Melville and these characters in the past, my study proposes that the author was intimately aware of the differences between these characters and their relationship to God and used these differences to compose his works. Ultimately, Melville struggled with the need for an abject lineage, and this struggle manifests itself most prominently in the evolving silence of Christ from Mardi to "Bartleby."

James Jones's Codes Of Conduct, Matthew Samuel Ross

UNLV Theses, Dissertations, Professional Papers, and Capstones

Though his work was celebrated by his contemporaries and remains highly lauded by scholars of war fiction, James Jones's novels are already at risk of falling outside the mainstream canon of 20th Century American literature. My dissertation project proposes an intensive examination of James Jones' three volume war trilogy, From Here to Eternity, The Thin Red Line, and Whistle, collectively considered by eminent critic Paul Fussell to be the finest work to emerge from the Second World War. Jones' trilogy is a mainstay within the overall genre of war fiction, yet it has been afforded relatively little critical attention by …

About A Yellow Ball, Shannon Alice Salter

UNLV Theses, Dissertations, Professional Papers, and Capstones

These are poems made from many things: color, eggs, oranges, many kinds of seeds, leaves, wind, California, the desert, birds. They are things alive in the world and alive in my heart. I cannot take them out of the world, but from my heart I can have whatever appears on its surface. The language of steam.

They are poems that like to be at home.

California is my home and so is the Mojave (and so is every desert). I live in a valley about four hundred miles from the Pacific Ocean, in the city of Las Vegas. What better …

Tiny Animals Made To Do Unnatural Things, Ashley Mary Siebels

UNLV Theses, Dissertations, Professional Papers, and Capstones

The stories in this collection revolve around a central theme which is expressed by my titleTiny Animals Made To Do Unnatural Things. All my characters feel guilt about decisions and experiences that haunt their past. In the present, they have come to a crossroads and are trying to decipher between what they were made to do as in vocation and evolution and what they are being made to do by the authorial pressures that loom over them (e.g. bosses, parents, loan officers, prison guards.)

In this way, my thesis pivots on the word made. Made (or to make) has many …

Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

From Martyrs To Mothers To Chick In Choos: The Medieval Female Body And American Women's Popular Literature, Gina M. Sully

UNLV Theses, Dissertations, Professional Papers, and Capstones

Placing the generic conventions of medieval hagiography, Nina Baym's insights about nineteenth-century American sentimental fiction's overplot, and contemporary American women's popular literature into tension illuminates some important commonalities. First, biographers of the medieval virgin saints and authors of contemporary American women's popular literature deploy the same overplot that Baym identifies as characteristic of American women's nineteenth-century popular fiction. Second, in order to define feminine virtue and establish the virtue of their protagonists, nineteenth-century and post-millennial American women writers rework the contrastive tropes by which hagiographers establish their heroines' virtue. Third, struggles for ascendance in the domestic realm gesture toward its …

Monsters In Our Midst: An Examination Of Human Monstrosity In Fiction And Film Of The United States, Michelle Kay Hansen

UNLV Theses, Dissertations, Professional Papers, and Capstones

The chapters within this dissertation concentrate on textual analysis of literature and film in which monsters appear in various forms, and particularly how those monsters still coincide with Noel Carroll's definition of "art-horror" in his book Philosophy of Horror, while proving that Carroll's definition of monster - and any others who may attempt to limit the definition of monstrosity - is incomplete and much too restrictive. I will be concentrating on monstrosity as it appears in gothic and horror fiction, film, and other elements of popular culture in order to explore the concept of "the monstrous" on multiple levels.

The …

Love Is Just A Word For The Last Body I'D Like To Keep Vigil Over, Robert Jagger

UNLV Theses, Dissertations, Professional Papers, and Capstones

Love is Just a Word for the Last Body I'd Like to Keep Vigil Over is a collection of poetry that was composed during my time spent at UNLV. Comprised mostly of prose poems, it was heavily influenced by the works of Richard Hugo, Robert Coover, Joshua Marie Wilkinson and several French poets who are often categorized as being members of either the Symbolist or Decadent movement. At its best, the collection attempts to invoke a sense of Joseph Cornell's boxes--odd juxtapositions of everyday items and language that create new and uncertain circumstances. Unlike Cornell's boxes, however, the poems aren't …

Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox

Graduate Theses and Dissertations

Jane Austen, Elizabeth Gaskell, Charlotte Brontë, and Henry James challenged patriarchal conventions and assumptions by redefining womanhood and marriage in their novels, particularly by breaking from the traditional marriage ending. While Pride and Prejudice, North and South, and Jane Eyre end in marriage, these novels depict a freely chosen companionate marriage based on equality; Villette replaces the typical marriage ending with complete independence; and Washington Square and The Portrait of a Lady both portray the decisive rejection of the marriage ideal for a life of renunciation. This thesis analyzes the ways in which these novels challenge nineteenth-century society, as well …

Two For Confidence, Antonio Shaw

All Theses

In this comedic short story, Jamez Wythazee (pronounced 'James With-a-Z') has just left a house party after being rejected by his dream girl, Monique Nettles. Lost in his thoughts of inadequacy, jealousy, and intra-racial conflict, he does not notice that he is being followed. Before he knows it, Jamez finds himself attacked by a mysterious assailant who possesses razor-sharp claws and inhuman speed. Even more amazing, Jamez somehow survives the assailant's attacks with little effort and completely unscathed. The mysterious attacker turns out to be a desperately hungry vampire named Maximilian Marvis. After a humorous exchange of insults and a …

Redefining The Gothic: How The Works Of Carson Mccullers, Tennessee Williams & Flannery O'Connor Retained Gothic Roots And Shaped The Southern Gothic, Sarah N. Koehler

All Student Theses

My aim in this thesis is to explore the commonalities between Carson McCullers, Tennessee Williams and Flannery O’Connor, particularly in terms of three main themes: isolation, the pervasion of American normalcy and gender roles. While each of these authors clearly inserts some autobiographical information into his or her characters, the real commonalities between the fictional characters can be found in their inability to fit into a traditional society; the characters in all three authors’ works are outcasts, pushed to the fringes of their communities or their families because of who they are. Sometimes these characters’ desire to be different is …

Psychedelia, The Summer Of Love, & Monterey-The Rock Culture Of 1967, James M. Maynard

Senior Theses and Projects

The structure of the ensuing analysis is divided into five chapters, the introduction being the beginning of chapter one, based upon a more or less chronological study of rock’s development, beginning in 1965 and ending at Monterey. Each chapter is intertwined with analysis of diverse scholarly material to extract and examine rock’s development and subjective observations utilized to paint an imagery-rich tale of one of America’s most fascinating eras of cultural growth. The first half of chapter one explains how one can understand the latter developments of rock-culture in the 1960s i.e. Woodstock and Altamont by simply observing that rock-culture …

Jack London: A Life In Search Of Love, Ian S. Bain

Senior Theses and Projects

This thesis is a study of the interrelation between Jack London's literary and romantic lives. The progression of Jack’s philosophy was the product of an intense competition between his inclinations for naturalism, realism, and romanticism. After he found right love with Charmian the naturalism that had seeped in during his tumultuous, younger years finally fell away. The struggle of that time without love, as he wrote to his friend Cloudsey, was, “that small men down the ages have conjured gods in answer … But how bout you and me, who have no god?” The same reassurance that many gather from …

Woman At The Top: Rhetoric, Politics, And Feminism In The Texts And Life Of Annie Smith Peck, Hannah Scialdone-Kimberly

English Theses & Dissertations

The purpose of this focuses on the autobiographical rhetoric and public identity of Annie Smith Peck, a scholar, mountain climber and woman rhetor from the turn of the century. My qualitative case study of Peck examines how she worked as a woman rhetor to create a popular identity for herself in both mountain climbing and scholarship. I also focus on how Peck worked to identify herself with her audience; here, I use Burke's concept of "identification," as a way of adding to (rather than substituting for) traditional rhetoric. My project brings new findings in that I examine data on Peck …

Failed Heroes: Hypermasculinity In The Contemporary American Novel, Josef D. Benson

USF Tampa Graduate Theses and Dissertations

My study highlights a link of U.S. American hypermasculinity running through Cormac McCarthy's two novels Blood Meridian (1985) and All the Pretty Horses (1992), Toni Morrison's Song of Solomon (1977), and James Baldwin's Another Country (1960). My literary interpretations of these texts suggest that U.S. American hypermasculine man originated in the American frontier and transformed into a definition of hegemonic masculinity embraced by many southern rural American men. These southern rural American men then concocted the myth of the black rapist in order to justify the mass murder of African American men after Reconstruction, inadvertently creating a figure more hypermasculine …

Postcolonial Religion And Motherhood In The Novels By Louise Erdrich And Alice Walker, Kateryna Chornokur

USF Tampa Graduate Theses and Dissertations

This thesis is a comparative analysis of the works of the Native American author Louise Erdrich (Love Medicine, Tracks) and the African American writer Alice Walker (The Color Purple). Originating from different cultural traditions, Native American and African American women writers address common themes in their novels because of their common colonial background. One of the main themes in their writings is that of religion. Despite becoming victims of Christianity used as a means of cultural colonization, both African American and Native American communities reinterpret it in terms of their traditional religious beliefs and create a new, unique hybridized form …

This Fact Which Is Not One: Differential Poetics In Transatlantic American Modernism, Sarah Ruddy

Wayne State University Dissertations

This dissertation proposes that the literary fact, first discussed by Jurij Tynajnov in his 1924 essay "The Literary Fact," and later in "On Literary Evolution" (1929), names an intersection of literary formalism and social representation central to experimental modernist texts in the twentieth century. The poetics of literary fact that I propose finds its basis in Russian Formalist and Frankfurt School theory and reflects several important twentieth century social moments to illustrate how historical and social facts seek poetic form. In my use of the term, "fact" is the materiality of history as it moves from the social world, carrying …

Writing The Self: Feminist Experiment And Cultural Identity, Jill Darling

Wayne State University Dissertations

This dissertation examines how twentieth-century experimental women writers construct non/narrative texts whose text-subjects mediate identity and call for increased possibilities for subject-identification in the world. The use of innovative formal strategies and experiment with narrative, combined with the content of identity critique, make these texts political projects that variously explore gender, sexuality, race, and ethnicity in relation to contemporary American culture. In this project I bring discussions of identity into the theorization of formally innovative writing. I work to move away from the kinds of essentializing practices of identity politics--in which subjects are fit into specific identity categories--and toward more …

Faith And (Un)Certainty In The Writing Of Stowe, Hawthorne, And Dickinson: The Intersecting Language Of Theology And Feminism, Denise Yezbick

Wayne State University Dissertations

This research considers how Hawthorne's, Dickinson's, and Stowe's writing express the prevailing culture's attitudes toward the operation of meaning in religion. It poses the question: Is a crisis of meaning threatening to the religious sensibility? Looking at Hawthorne's The Scarlet Letter and specific poems of Dickinson, I show how their writing gestures to a kind of religious sensibility that is not threatened by such a crisis, but suggests, rather, that it is essential to a genuine openness to otherness, and ultimately to the Divine. The fiction and poetry of these two authors express this both negatively, as an attack on …

Mothers At Work: Reconstruction And Deconstruction Of Patriarchy In Gone With The Wind, Catherine Willa Staley

Theses, Dissertations and Capstones

In this thesis, I explore the performances of motherhood in Margaret Mitchell’s Gone with the Wind and how those performances conflict with culturally constructed expectations of that role. An analysis of Scarlett O’Hara and Melanie Wilkes, and how each woman compares to the South’s model for motherhood, reveals implications that extend beyond the novel’s Civil War setting to reveal the ongoing negotiation of modern readers still living within patriarchal conceptions of mothering. In Chapter 1, I outline the novel’s spectrum of motherhood, which is composed of characters who nurture and manage others. Each individual on that spectrum contributes to or …

After A Funeral, Before A Test; And Other Stories, David Stewart Robinson

Theses, Dissertations and Capstones

After a Funeral, Before a Test; and Other Stories is a collection of nine fictional short stories. Their focus is diverse in regard to multiple aspects of creative fiction: subject matter, theme, style, setting and characters. Despite the array of material, one common method was to provide narration that would invite readers to make their own interpretation rather than to present overt, didactic stories. This narrative strategy was accomplished by using fictional concepts of setting, the objective correlative, and literary minimalism. Other elements include surrealism, Hemingway’s “iceberg effect,” and psychologically complex narrators. Literary influences include F. Scott Fitzgerald’s The Great …

Literacy, Discourse, And Identity: The Working-Class Appalachian Woman Academic, Sarah Marie Mcconnell

Theses, Dissertations and Capstones

Drawing on conversations about the politics surrounding literacy acquisition, I take a deeper look into the effects of obtaining membership within an academic discourse community on Appalachian women from the working class. The tensions that develop between the two opposing discourses promotes a sense of loss as they create distance between these women and their home community, alter relationships, and disrupt identity. Working-class Appalachian women occupy the borderlands between discourses: one foot in their Appalachian community; the other in their academic community. They negotiate their fragmented identities in order to play the appropriate role within the appropriate context. Their status …