Arts and Humanities Commons^™

“Speechless, Placeless Power”: Affect And Trauma In Moby-Dick And “Bartleby, The Scrivener”, Lauren Colandro

Seton Hall University Dissertations and Theses (ETDs)

Herman Melville’s Moby-Dick and “Bartleby, the Scrivener” contain affectively unsound figures such as Captain Ahab and Bartleby that seem to disrupt larger narrative functions, both developing these characteristics in response to prior trauma. However, narrators are not privy to the extent of their feelings because of their idealistic attachments to the disruptive figures. This thesis examines the commonalities of Melville’s disruptive characters in both stories using affect theory, as well as how their disruptions illuminate the effects of repressed trauma in an increasingly capital-driven society.

Erotic Grotesque Nonsense: Veiled Criticism Through Extreme Entertainment, Thoby Jeanty

Seton Hall University Dissertations and Theses (ETDs)

This thesis examines the writings of Meiji novelists living during a time of transition. Their writings became known as part of a genre called Erotic Grotesque Nonsense. The genre became defined as engaging in extremes to entertain an audience captivated by the eroticism, grotesque, or even the nonsensical nature of the stories being told. The thesis discovers there is a pressing social commentary on the tumultuous transition to modernity hidden within these works. The traditions established during the Tokugawa era starting from 1603 and lasting until 1867 came under pressure with the start of the Meiji era in 1868. Each …

Fulfilling The Search For Completeness In Harper Lee’S To Kill A Mockingbird And Delia Owens’ Where The Crawdads Sing, Kyra M. Sica

Seton Hall University Dissertations and Theses (ETDs)

Harper Lee’s To Kill A Mockingbird (1960) and Delia Owens’ Where the Crawdads Sing (2018), set in the 1930s and 1960s, respectively, portray coming of age stories narrated from the points of view of two female protagonists, Scout and Kya. In Mockingbird, Lee conveys Scout’s maturation via a first-person narrative, recounting the events she witnesses between 1933 and 1935 as a linear flashback when she is an adult, whereas Owens conveys maturation in Crawdads, which happens over the course of Kya’s life, from a roving third-person narrative point of view, between 1952 and 2009. Both novels immerse the …

Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono

Seton Hall University Dissertations and Theses (ETDs)

Jeffrey Jerome Cohen begins his conclusory section of his influential essay “Monster Culture (Seven Theses)” stating, “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return” (52). Yet, Lee Edelman in No Future: Queer Theory and the Death Drive makes a statement which complicates the idea of the monster being “our child” when discussing that the normative (conservative) movement will “recurrently frame their political struggle…as a ‘fight for our children—for our daughters and our …

Edgar Allan Poe: Addressing The Haunting Legacy Of American Exceptionalism, Kaitlyn Quinn

Seton Hall University Dissertations and Theses (ETDs)

The term “American exceptionalism” is synonymous with the American identity, yet it can prove to be a dangerous association. Donald E. Pease in “American Exceptionalism” states, “Despite [John] Winthrop’s ‘A Model of Christian Charity’ (1630) fostering a tendency to view America in religious terms…American exceptionalism was more decisively shaped by the ideals of the European Enlightenment” (Pease). Puritan leader John Winthrop first introduced “American exceptionalism” in his sermon “A Model of Christian Charity.” Winthrop proclaimed, “For wee must consider that wee shall be as a city upon a hill” (Winthrop 2). Certainly, Winthrop’s words resonated with the Puritans as they …

"I Speak For The Preservation Of The Union" : Daniel Webster, Law, And Morality In The Writings Of The American Renaissance, Rebecca Nicole Girardin

Seton Hall University Dissertations and Theses (ETDs)

Daniel Webster, one of the most prominent politicians and orators in American history, effectively ended his political career on March 7th,1850. Webster’s support of the Compromise of 1850 included the Fugitive Slave Law, which forced Northern complicity in the return of captured fugitive slaves. Webster supported the legislation because he interpreted the law based on precedent and a notion of “natural law” determined by geography rather than morality. In this thesis, I look at how two writers of the American Renaissance, Ralph Waldo Emerson and Harriet Beecher Stowe, used literature to critique the understanding of law promoted by Webster in …

Sacralizing The Secular: Preserving Space In Sarah Orne Jewett’S “A White Heron”, Maria Catherina Capozzoli

Seton Hall University Dissertations and Theses (ETDs)

The tides have changed. Mountains have shifted. But, Sarah Orne Jewett’s zealous love for country remains unaffected. She is the sweet fragrance of peonies and roses infusing the American literary canon. Sacralizing the Secular: Preserving Space in Sarah Orne Jewett’s “A White Heron” explores Jewett’s invention of a form suitable to the nature of her experience of country life allowed her to depict the instinctive and organic symbiotic relationship between man, woman, child, and nature in her short story, “A White Heron”: a benchmark of eco-criticism. This Earth-centered approach is informed by Cheryll Glotfelty, who set out to create the …

Stepping Beyond The Veil And Breaking The Pittsburgh Cycle: The American Dream, Otherness, And Generational Trauma In August Wilson's Cycle Plays, Kaitlin Stellingwerf

Seton Hall University Dissertations and Theses (ETDs)

August Wilson’s Pittsburgh Cycle is a series of ten plays that aims to “amend, to explore, and to add to our African consciousness and our African aesthetic” (Wilson qtd. in Gantt 5). Each play is set in a different decade but all share incredibly similar protagonists; all of them are African American men in their mid to late adulthood. The stories are separated by years but all articulate the generational trauma embedded in the African American consciousness in the twentieth century. Wilson’s plays span between the generations of African Americans living in the wake of the Emancipation Proclamation to a …

"Both Nourished At My Grandmother's Breast": Eating, Feeding, And The Subverted Female Ideal In Jacobs' Incidents In The Life Of A Slave Girl, Catherine Ventura

Seton Hall University Dissertations and Theses (ETDs)

This essay analyzes the relationship between Harriet Jacobs’ representations of womanhood in Incidents in the Life of a Slave Girl and the domestic ideal which promoted a woman’s role as nurturer and nourisher. The main female characters in the text, particularly Mrs. Flint, Aunt Martha, and Linda Brent, highlight the distorted nature of womanhood in the context of slavery and point to the subversion and perversion of the nineteenth-century ideals associated with True Womanhood. Each element of the ideal—piety, purity, submissiveness, and domesticity—is, at first glance, seemingly upheld by these women, but a closer analysis of their actions, circumstances, and …

Natural Elements Representing The Cycle Of Life And Death Through Whitman’S “Song Of Myself” And “When Lilacs Last In The Dooryard Bloom’D”, Priya Patel

Seton Hall University Dissertations and Theses (ETDs)

In Emerson’s essay “The Poet,” he writes that we have “no genius in America” and that we need to find a poet who can be America’s Shakespeare. He continues to say that “America is a poem in our eyes; its ample geography dazzles the imagination…” Not long after Emerson published “The Poet,” Walt Whitman emerged becoming “The Poet” that Emerson was seeking to find. Whitman soon became the “one who would sing of the new country in a new voice.”

In 1855, Whitman published his first edition of Leaves of Grass and shed light to the wonderful landscapes that America …

Redefining Blackness In The Age Of Whiteness: Mimicry, Ancestry, Gender Performance, And Self-Identity In Afro-Caribbean And Afro-American Literature, Brandon Marcell Erby

Seton Hall University Dissertations and Theses (ETDs)

The elements associated with mimicry and colonialism are found in Elizabeth Nunez’s Prospero’s Daughter (2006), as the novel reveals how colonized subjects use mimicry to survive their colonized spaces. Keeping in mind the ideologies of Homi Bhabha and Wumi Raji, the novel also suggests how a subject’s pre-existing condition before being colonized develops agency. Comparably, while Elizabeth Nunez’s novel illustrates how imitation is used by black and native Caribbeans, Richard Wright’s Native Son (1940) and Lorraine Hansberry’s A Raisin in the Sun (1958) contextualize and exhibit W.E.B. Du Bois’s double-consciousness theory and the struggles that black Americans experience while mimicking …

Faulkner, Freud, And The Holy Family: The Portrayal Of The Joseph Figure In Light In August, Richard Boland

Seton Hall University Dissertations and Theses (ETDs)

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Resurrected: An In-Depth Study Of Fitzgerald's Female Found In The Basil Stories And The Great Gatsby, Therese Fields

Seton Hall University Dissertations and Theses (ETDs)

When people hear the name F. Scott Fitzgerald they quickly think of his masterpiece, The Great Gatsby. Fitzgerald's Gatsby is the great American novel. Why? It withstands time and the changes of contemporary society. This novel moves us, shakes us, and reminds us of our enlightening dreams and the realistic truths behind them. Why do readers connect with and feel empathy for the flawed Jay Gatsby? We, like Gatsby, hope for the green light and all that it holds in store for us. Gatsby is driven by the green light, which represents his hope to change the past. It is …

A Novel Approach: How E-Book Technology Is Impacting The American Fiction Market, Jodi L. Kastel

Seton Hall University Dissertations and Theses (ETDs)

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Behind The Bestsellers: Building The Formula For Success In Children's Literature, Zenja R. Quarles

Seton Hall University Dissertations and Theses (ETDs)

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The Image Of The Professor In American Academic Fiction 1980-1997, Patricia Barber Verrone

Seton Hall University Dissertations and Theses (ETDs)

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