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Articles 1 - 27 of 27
Full-Text Articles in Arts and Humanities
Transatlantic Literary Networks, 1949-1972, Cristina Iuli, Stefano Morello
Transatlantic Literary Networks, 1949-1972, Cristina Iuli, Stefano Morello
Publications and Research
Il racconto di Donald Barthelme “Critique de la Vie Quotidienne”, pubblicato sul New Yorker il 9 luglio 1971, si apre su una famiglia newyorkese di classe media sull’orlo di una crisi matrimoniale. Wanda, la moglie, sfoglia Elle, costringendo il marito a prestare attenzione alle foto dell’elegante ristrutturazione di un vecchio mulino in Bretagna da cui spiccano arredi di Arne Jacobsen e “cose di plastica arancione e rosso brillante che arrivano da Milano” (Barthelme 1971, p. 26). Barthelme, che aveva trascorso tutta l’infanzia e buona parte della gioventù a Houston, in Texas, dove il padre era direttore del museo di …
Scene Transatlantiche: Eco Italiane Nella Beat Generation, Stefano Morello
Scene Transatlantiche: Eco Italiane Nella Beat Generation, Stefano Morello
Publications and Research
Nella maldestra intervista con Fernanda Pivano trasmessa dalla RAI nel settembre del 1966, Jack Kerouac, interpellato riguardo le infuenze letterarie che avevano ispirato la sua produzione, rispose negando con forza l’impatto di autori italiani sulla sua poetica. Il rifuto di Kerouac – uno dei pochi esponenti della Beat Generation a poter vantare un radicamento nel territorio nordamericano da più di dieci generazioni (FamilySearch) – può essere letto come il tentativo di un autore aggrappatosi, nella parte fnale della sua vita, a un’ideologia conservatrice e nazionalista, di inscrivere la propria poetica all’interno di una tradizione letteraria puramente americana. Nella frase successiva …
Mixed Feelings: The Emotional Appeals Of Zitkala-Ša’S American Indian Stories, Kayla Joan Baur
Mixed Feelings: The Emotional Appeals Of Zitkala-Ša’S American Indian Stories, Kayla Joan Baur
Publications and Research
Zitkala-Ša (Lakota: Zitkála-Šá, meaning Red Bird) was among the first to write about the experiences of Native American children in the U.S. Indian boarding school program to an English-speaking audience. As a writer and political activist, Zitkala-Ša uses emotional appeals and cultural ideas she learned through her white education to expose the very boarding school institutions that taught her. In American Indian Studies (1921), Zitkala-Ša critiques the violence that the Indian boarding school system inflicts on young Native Americans. She presents these critiques through emotional appeals that take two forms: one, a more traditional sentimental appeal associated with middle-class white …
Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton
Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton
Publications and Research
This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent
Publications and Research
No abstract provided.
Contemporary Stories Of Female Development And The Outer Limits Of Maternal Sexuality In Susan Choi’S My Education And Amy Sohn’S Prospect Park West, Christa Baiada
Publications and Research
While liberal sexuality has been integrated into contemporary discursive understandings of female possibilities, barriers remain to representing mothers as sexual beings. This essay explores maternal representations in Choi’s My Education (2013) and Sohn’s Prospect Park West (2009) that challenge cultural ideals of good motherhood and invite scrutiny of normative paths and goals of female development. These 21st-century American novels confront and even embrace active maternal sexuality but retreat at the boundary of the maternal/sexual breast to allow protagonists in contemporary alterations of female stories of development to achieve maturity through acceptance of the ideal of good motherhood .Each …
Re-Visioning Ralph Ellison’S Invisible Man For A Class Of Urban Immigrant Youth, Camille Goodison
Re-Visioning Ralph Ellison’S Invisible Man For A Class Of Urban Immigrant Youth, Camille Goodison
Publications and Research
In this essay, I will explore Ralph Ellison’s 1952 classic novel, Invisible Man, as a text that has contemporary and relatable themes for a modern-day classroom of mostly urban youth. This essay is also a personal journey into how Ellison’s inventive approaches to form helped create a work that lends itself to contemporary reimagining. It asks the question, can Ellison’s interest in creating a living Afro-American literary tradition rooted in the lore of the ‘peasant’ or common folk have contemporary applications? How does Ellison’s belief that everyday folk expression has value hold up for today’s readers? I try to …
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
Publications and Research
This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.
Woman Energy: How Our Lesbian Past Informs Our Lesbian Future, Shawn(Ta) Smith-Cruz
Woman Energy: How Our Lesbian Past Informs Our Lesbian Future, Shawn(Ta) Smith-Cruz
Publications and Research
Sinister Wisdom Issue 3, published the year 1977 holds an essay by poet Adrienne Rich, titled, “It is the lesbian in us...”; The cover of the same issue has art by photographer Tee Corinne. Sinister Wisdom is a multicultural lesbian literary and art journal. This non-fiction creative essay written by Shawn(ta) Smith-Cruz reflects on the first year of Sinister Wisdom's publication as a celebration of 40 years through this special edition anniversary print for which only 1000 have been printed. The essay remarks on the shift in lesbian identity and community and the potential impact of the Sinister Wisdom journal …
Arnold Whitridge: Scholar And Veteran Of Two Armies And Two Wars, Keith J. Muchowski
Arnold Whitridge: Scholar And Veteran Of Two Armies And Two Wars, Keith J. Muchowski
Publications and Research
This is an invited blog post written for Roads to the Great War, a site dedicated to the study of the First World War edited by historian Mike Hanlon. The article discusses the life and career of Arnold Whitridge, a soldier, scholar and grandson of British poet Matthew Arnold.
This is the url:
http://roadstothegreatwar-ww1.blogspot.com/2017/01/arnold-whitridge-scholar-and-veteran-of.html
Loving The Unlovable Body In Lois Ann Yamanaka’S Saturday Night At The Pahala Theatre, Christa Baiada
Loving The Unlovable Body In Lois Ann Yamanaka’S Saturday Night At The Pahala Theatre, Christa Baiada
Publications and Research
Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by explicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …
Science Fiction, Lisa Yaszek, Jason W. Ellis
Science Fiction, Lisa Yaszek, Jason W. Ellis
Publications and Research
Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …
Toward A Genealogy Of Americanist Expressionism, R. Arvo Carr
Toward A Genealogy Of Americanist Expressionism, R. Arvo Carr
Publications and Research
No abstract provided.
Middle Eastern-American Literature: A Contemporary Turn In Emerson Studies, Roger Sedarat
Middle Eastern-American Literature: A Contemporary Turn In Emerson Studies, Roger Sedarat
Publications and Research
No abstract provided.
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Publications and Research
This article is an edit of the opening remarks for the event held on May 22nd, 2014 at the Schomburg Center for Research in Black Culture as part of the In The Life Series supplying Black LGBT programming coordinated by Steven Fullwood. Outing Lorraine included panelists: Alexis DeVeaux, Joi Gresham, and Steven Fullwood and was moderated by Shawn(ta) Smith-Cruz. Opening remarks provide a biographical description of Lorraine Hansberry's life, prepare the audience for a conversation on the implications for "outing" a black iconic figure, details the purpose for use of primary and secondary sources when, and provides a bibliography for …
Italian-American Literature And Working-Class Culture, Fred L. Gardaphé
Italian-American Literature And Working-Class Culture, Fred L. Gardaphé
Publications and Research
No abstract provided.
Isabel Archer's "Delicious Pain": Charting Lacanian Desire In The Portrait Of A Lady, Phyllis E. Vanslyck
Isabel Archer's "Delicious Pain": Charting Lacanian Desire In The Portrait Of A Lady, Phyllis E. Vanslyck
Publications and Research
This essay offers a reading of Henry James's Portrait of a Lady that examines Isabel Archer's choices through a Lacanian lens. This reading traces Isabel's consistent turning away from, even against, the very postulates she claims to live by. Isabel’s discovery of love through the ideal image of herself she finds mirrored in Gilbert Osmond’s gaze leads to a reversal of her most noble impulses. Her choice of a suitor also points to something that would seem the opposite of desire, but which is, in fact, its foundation. In choosing Gilbert Osmond, Isabel seeks to experience, however unconsciously, what Jacques …
Visual Aid: Teaching H.D.'S Imagist Poetry With The Assistance Of Henri Matisse, Christa Baiada
Visual Aid: Teaching H.D.'S Imagist Poetry With The Assistance Of Henri Matisse, Christa Baiada
Publications and Research
No abstract provided.
"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett
"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett
Publications and Research
Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.
Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett
Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett
Publications and Research
This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Publications and Research
"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …
Female Iconography In Invisible Man, Shelly J. Eversley
Female Iconography In Invisible Man, Shelly J. Eversley
Publications and Research
Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Publications and Research
No abstract provided.
The Source Of Hip, Shelly J. Eversley
The Source Of Hip, Shelly J. Eversley
Publications and Research
This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.
We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé
We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé
Publications and Research
No abstract provided.
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
Publications and Research
No abstract provided.
One Against All: The New England Past And Present Responsibilities In The Devil And Daniel Webster, Robert Singer
One Against All: The New England Past And Present Responsibilities In The Devil And Daniel Webster, Robert Singer
Publications and Research
No abstract provided.