Arts and Humanities Commons^™

Singing Solidarity: Class Consciousness, Emotional Pedagogy, And The Songs Of The Industrial Workers Of The World, Tara Forbes

Wayne State University Dissertations

Singing Solidarity looks at songs and song culture in the Industrial Workers of the World (IWW) from its inception to its decline near the start of WWI and examines how IWW songs engaged with, transformed, and directed workers’ feelings to “spur [them] to action” (Gould 47). Songs in the IWW repertoire created a sense of group identity and cohesion, supporting the IWW’s project of class consciousness and working-class solidarity. This solidarity, I argue, was felt rather than theorized. The felt solidarity of the IWW collective was intensified through the act of singing as a group, which was simultaneously an instantiation …

Antiwar Literature In The United States Since 1945, Kelly Roy Polasek

Wayne State University Dissertations

This dissertation examines literary resistance to US militarism since 1945. I maintain that a requirement of antiwar literature is a disruption or break from the pro-war narrative that seeks to justify and normalize the wars and militarism that saturate this historical period; literary works about war that do not deviate from this narrative are simply war literature. In chapters on John Hersey’s Hiroshima (1946), poetry and performance protests of the Vietnam Veterans Against the War (1970-72), Rob Halpern’s Common Place (2015), and works of speculative fiction by Omar El Akkad (American War, 2017) and N.K. Jemisin (The Fifth Season, 2015), …

The Center Of All Beauty: Radical Democracy, Materiality, And The Poetic Subject In Twentieth-Century American Poetry, Marcus Merritt

Wayne State University Dissertations

In The Center of All Beauty, I trace a strain of poetics in twentieth-century American poetry from William Carlos Williams through Frank O’Hara, Alice Notley, and Amiri Baraka. This poetics is founded in a radically democratic conception of the poetic subject and in the use of poetry as a tool for developing critical knowledge about the material conditions within which the poetic subject is constituted. In Spring and All and The Embodiment of Knowledge, Williams articulates a poetics that denies the authority of any grounds upon which any poetic subject would be considered inadequate to poetic speech and outlines a …

Under The Sign Of Suicide, Theodore Emmanuel Prassinos

Wayne State University Dissertations

“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …

Toward A Theory Of Work: Personal Responsibility, Self-Regulation, And Identity In The Age Of America’S Work Crisis, Katrina Newsom

Wayne State University Dissertations

ABSTRACT

TOWARD A THEORY OF WORK: PERSONAL RESPONSIBILITY, SELF-REGULATION, AND IDENTITY IN THE AGE OF AMERICA’S WORK CRISIS

by

KATRINA NEWSOM

May 2018

Advisor: Dr. Sarika Chandra

Major: English

Degree: Doctor of Philosophy

Toward a Theory of Work: Personal Responsibility, Self-Regulation, and Identity in the Age of America’s Work Crisis examines how American culture grapples with work in the Postfordist era of production, particularly in the areas of ethnic, working-class, cultural, and literary studies. Specific to these areas are ideas of (personal) responsibility that take shape in concepts of self-regulation invented to function as both a direct and indirect redress …

Border Ends: Anti-Imperialism, Settler Colonialism, And The Mexican Revolution In U.S. Modernism, Bradley Flis

Wayne State University Dissertations

From 1910-1920, the Mexican Revolution became a source of anxiety, interest, and inspiration to those who paid attention to its political turmoil as reported in the popular press. It would lead to the reinvigorating of a debate about U.S. intervention in the political affairs of Mexico, indeed, for some, the question was one of annexation. Responding to a growing imperialist culture in the U.S., William Carlos Williams, Gertrude Stein, John Reed and Max Eastman of The Masses were among those who looked to modernist aesthetic practice to critique military and economic expansionism in Mexico.

This dissertation explores that discursive interplay …

Affective Dissonance: (Post)Feminism And Popular Cultural Expressions Of Motherhood, Judith Lakämper

Wayne State University Dissertations

In “Affective Dissonance: (Post)feminism and Popular Cultural Expressions of Motherhood,” I argue that motherhood in the so-called post-feminist age is structured by a conflicted relationship between affective expectations raised by public discourses of motherhood and the material, embodied experience of maternity, inflected by race, class, age, and sexuality. While recent feminist scholarship has engaged questions of (bodily) materiality, and popular medial discourses increasingly critique unrealistic ideals of motherhood, my dissertation considers these approaches together. Juxtaposing representations of motherhood from various sources – memoirs, digital media, art photography, and television – I demonstrate how the postfeminist rhetoric of female empowerment and …

(An) Unsettled Commons: Narrative And Trauma After 9/11, Chinmayi Kattemalavadi

Wayne State University Dissertations

This dissertation examines fictional responses to the events of September 11, 2001. It argues for the importance of one kind of fictional response, one which focuses on representing the feeling of "unsettledness" that can be one effect of trauma, with the aim of making that unsettledness itself a locus of a shared common experience. I posit that in articulating the events of 9/11 in the context of, in relation to, and as one in a series of traumas, violences, and histories, these narratives make the unsettlements shareable. Focusing on four works of fiction that were published after 9/11 – Joseph …

Weird Propaganda: Texts Of The Black Power And Women’S Liberation Movements, Marie Buck

Wayne State University Dissertations

“Weird Propaganda: Texts of the Black Power and Women’s Liberation Movements” examines texts of the Black Power and Women’s Liberation Movements: the early Black Arts Movement anthology For Malcolm; the now-canonical texts Our Bodies, Ourselves; The Black Woman; and Sisterhood Is Powerful; a number of pamphlets and other small press works; and the Black Panthers’ newspaper. This project argues that writers and activists used senses of the uncanny, along with elements of science fiction and fantasy, to negotiate the day-to-day uncertainties of political organizing and, more broadly, political hope. The texts examined here convey particular political views in an explict …

Time In American High Modernism: Reading Fitzgerald, Hemingway, And Faulkner, Masahiko Seki

Wayne State University Dissertations

There were important changes about understanding of time in the early 20th century. Newtonian view of time that supports linearity and irreversibility of time was challenged in various fields. This trend promoted high modernists to seek new representations of time.

On the whole, high modernists denied Newtonian view of time and tried to describe merging of the past, the present, and the future. They often envisioned a romantic moment, in which this merging is perfectly achieved. But unlike European high modernists, American high modernists were more attracted to a traditional understanding of time that emphasizes a decisive difference between the …

Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad

Wayne State University Dissertations

In Novelistic Intimacies, I consider the political and aesthetic structure of intimacy in a diverse set of narrative forms produced in the so-called digital age, or the late age of print—from encyclopedic and metafictional novels to graphic storytelling and Afrofuturist fantasy. As an organizing principle, intimacy forces us to consider, at once, how novelists have attempted to restore language and narrative with personal meaning after postmodernism—often termed New Sincerity or post-irony. At the same time, intimacy allows us to see how novelists have experimented on the materiality of the book and the eroticism of language to invent new, impersonal modes …

The Traumatized/Traumatizing Subject In Anna Deavere Smith, Suzan-Lori Parks, And August Wilson, Christopher J. Giroux

Wayne State University Dissertations

The Traumatized/Traumatizing Subject in Anna Deavere Smith, Suzan-Lori Parks, and August Wilson explores how drama, as a genre, is particularly suited for capturing aspects of trauma in ways that other genres cannot; this argument reinforces that trauma must be studied within the humanities, specifically within literature programs. Recognizing that trauma in and of itself is tied to issues of narrativization, textuality, and performativity, this project notes that Smith's, Parks's, and Wilson's work collectively attempt to traumatize contemporary viewing audiences and make them aware—cognitively and emotionally—of the hardships of discrimination and racism, which themselves can be seen as examples of generational …

This Fact Which Is Not One: Differential Poetics In Transatlantic American Modernism, Sarah Ruddy

Wayne State University Dissertations

This dissertation proposes that the literary fact, first discussed by Jurij Tynajnov in his 1924 essay "The Literary Fact," and later in "On Literary Evolution" (1929), names an intersection of literary formalism and social representation central to experimental modernist texts in the twentieth century. The poetics of literary fact that I propose finds its basis in Russian Formalist and Frankfurt School theory and reflects several important twentieth century social moments to illustrate how historical and social facts seek poetic form. In my use of the term, "fact" is the materiality of history as it moves from the social world, carrying …

Writing The Self: Feminist Experiment And Cultural Identity, Jill Darling

Wayne State University Dissertations

This dissertation examines how twentieth-century experimental women writers construct non/narrative texts whose text-subjects mediate identity and call for increased possibilities for subject-identification in the world. The use of innovative formal strategies and experiment with narrative, combined with the content of identity critique, make these texts political projects that variously explore gender, sexuality, race, and ethnicity in relation to contemporary American culture. In this project I bring discussions of identity into the theorization of formally innovative writing. I work to move away from the kinds of essentializing practices of identity politics--in which subjects are fit into specific identity categories--and toward more …

Faith And (Un)Certainty In The Writing Of Stowe, Hawthorne, And Dickinson: The Intersecting Language Of Theology And Feminism, Denise Yezbick

Wayne State University Dissertations

This research considers how Hawthorne's, Dickinson's, and Stowe's writing express the prevailing culture's attitudes toward the operation of meaning in religion. It poses the question: Is a crisis of meaning threatening to the religious sensibility? Looking at Hawthorne's The Scarlet Letter and specific poems of Dickinson, I show how their writing gestures to a kind of religious sensibility that is not threatened by such a crisis, but suggests, rather, that it is essential to a genuine openness to otherness, and ultimately to the Divine. The fiction and poetry of these two authors express this both negatively, as an attack on …

The Poetics Of Open And Closed Forms, Tyrone Williams

Wayne State University Dissertations

This dissertation is an investigation into the "origins" and developments of the concepts of open and closed forms in American poetics and poetry. After a brief overview of the form these concepts take in the poetics of Walt Whitman and William Wordsworth, I trace the development of these concepts through the critical work of Charles Olson, Barbara Herrnstein-Smith, Joseph Frank and William Spanos. My argument is twofold: (1) that the concepts of open and closed forms are predicated on philosophical notions concerning form, image, space and time, and (2) these concepts are all interrelated, i.e., open forms are closed in …