Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in Arts and Humanities
Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer
Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer
Electronic Theses and Dissertations
Neil Gaiman’s novel American Gods creates a penetrating and sharp commentary on the state of essentially, every aspect of contemporary American society by populating it with myths that arrives on American shores over countless generations. From the characters to the settings, Gaiman utilizes the often-overlooked fact that myths can be found in every aspect of life. In many ways, Gaiman is building, or perhaps evolving, Joseph Campbell’s The Hero With A Thousand Faces and Roland Barthes’ Mythologies to discuss the unique nature of contemporary myths and how ancient myths still play a role in our society. I contend that in …
Nine Stories And The Society Of The Spectacle: An Exploration Into The Alienation Of The Individual In The Post-War Era, Margaret E. Geddy
Nine Stories And The Society Of The Spectacle: An Exploration Into The Alienation Of The Individual In The Post-War Era, Margaret E. Geddy
Electronic Theses and Dissertations
This thesis analyzes the thematic links between three of J. D. Salinger’s short stories published in Nine Stories (“A Perfect Day for Bananafish,” “Down at the Dinghy,” and “Teddy”), ultimately arguing that it is a short-story cycle rooted in the quandary posed by the suicide of Seymour Glass. This conclusion is reached by assessing the influence of T. S. Eliot’s poem “The Waste Land” on these stories, something that is understood through the Marxist frame of Guy Debord’s The Society of the Spectacle.