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Full-Text Articles in Arts and Humanities
Transatlantic Literary Networks, 1949-1972, Cristina Iuli, Stefano Morello
Transatlantic Literary Networks, 1949-1972, Cristina Iuli, Stefano Morello
Publications and Research
Il racconto di Donald Barthelme “Critique de la Vie Quotidienne”, pubblicato sul New Yorker il 9 luglio 1971, si apre su una famiglia newyorkese di classe media sull’orlo di una crisi matrimoniale. Wanda, la moglie, sfoglia Elle, costringendo il marito a prestare attenzione alle foto dell’elegante ristrutturazione di un vecchio mulino in Bretagna da cui spiccano arredi di Arne Jacobsen e “cose di plastica arancione e rosso brillante che arrivano da Milano” (Barthelme 1971, p. 26). Barthelme, che aveva trascorso tutta l’infanzia e buona parte della gioventù a Houston, in Texas, dove il padre era direttore del museo di …
Scene Transatlantiche: Eco Italiane Nella Beat Generation, Stefano Morello
Scene Transatlantiche: Eco Italiane Nella Beat Generation, Stefano Morello
Publications and Research
Nella maldestra intervista con Fernanda Pivano trasmessa dalla RAI nel settembre del 1966, Jack Kerouac, interpellato riguardo le infuenze letterarie che avevano ispirato la sua produzione, rispose negando con forza l’impatto di autori italiani sulla sua poetica. Il rifuto di Kerouac – uno dei pochi esponenti della Beat Generation a poter vantare un radicamento nel territorio nordamericano da più di dieci generazioni (FamilySearch) – può essere letto come il tentativo di un autore aggrappatosi, nella parte fnale della sua vita, a un’ideologia conservatrice e nazionalista, di inscrivere la propria poetica all’interno di una tradizione letteraria puramente americana. Nella frase successiva …
A Study Of Geo-Regional Place-Consciousness In American Literature, Eugene Slepov
A Study Of Geo-Regional Place-Consciousness In American Literature, Eugene Slepov
Dissertations, Theses, and Capstone Projects
The ancient Greek notions of topos, or place, and choros, or region, emerge from a an oral, narrative-based tradition that predates geography. These concepts remind us that that best source of material to study place is to be found in literary fiction. American fiction in particular will give us the evidence by which we can compile a qualitative, experiential understanding of the role of place in people’s lives. This dissertation inquires into the formation of the imaginative constructions that characters put upon place—such as through the process of consolidating and dwelling in places—and the way place puts …
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
Sickly Sentimentalism: Sympathy And Pathology In American Women's Literature, 1866-1900, Nicole Zeftel
Sickly Sentimentalism: Sympathy And Pathology In American Women's Literature, 1866-1900, Nicole Zeftel
Dissertations, Theses, and Capstone Projects
Sickly Sentimentalism: Pathology and Sympathy in American Women’s Literature, 1866-1900 examines the work of four American women novelists writing between 1866 and 1900 as responses to a dominant medical discourse that pathologized women’s emotions. The popular fiction of Metta Fuller Victor, Elizabeth Stuart Phelps, Sarah Orne Jewett, and E.D.E.N. Southworth mobilized sentimental style and sympathetic affect to challenge the medical trend of treating female sentiment as a sickness. At the level of narrative, this challenge took the form of deviating from the domestic and marriage plots prevalent in women’s popular fiction of their period. Through forms of sentimental writing my …
The French Revolution In Early American Literature, 1789–1815: Translations, Interpretations, Refractions, Courtney Chatellier
The French Revolution In Early American Literature, 1789–1815: Translations, Interpretations, Refractions, Courtney Chatellier
Dissertations, Theses, and Capstone Projects
The French Revolution in Early American Literature, 1789-1815: Translations, Interpretations, Refractions, examines the meaning of the French and Haitian Revolutions in early U.S. literary culture by analyzing American novels, periodical fiction, and essays that engaged with French revolutionary politics (by writers including Judith Sargent Murray, Martha Meredith Read, Charles Brockden Brown, and Joseph Dennie); as well as translations and reprints of French texts by writers including Stéphanie de Genlis, Sophie Cottin, and Jean-Baptiste Piquenard that circulated among American readers during this period. Drawing on archival research, and the methodology of book history, this study establishes that translations—though often disregarded by …
Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett
Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett
Publications and Research
This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
Publications and Research
No abstract provided.