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Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20^th and 21^st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …

Crooked And Narrow Streets, Amy Johnson

Art Faculty Scholarship

In The Crooked and Narrow Streets of the Town of Boston (1920), historian and social reformer Annie Haven Thwing documents the development of Boston's streets in the seventeenth and eighteenth centuries. She illustrates her text with stock photographs depicting these ancient alleys lined with nineteenth-century tenement buildings. This juxtaposition of colonial and modern Boston through text and image privileges the city as a historical site, significantly doing so at a time when Bostonians were grappling with the concerns of twentieth-century urbanism, such as overcrowding, urban reform, and historic preservation.