Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

American Art and Architecture

City University of New York (CUNY)

American Art

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio Oct 2021

Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio

Theses and Dissertations

Landscape subjects reappear throughout Abstract Expressionism. Although it is often overlooked, landscapes were perhaps a natural subject for a group of artists that were known to work from their environment. When we focus on the landscape subjects, we gain a better understanding of Abstract Expressionism and its place within the canon of American art.


Dating Deborah Hall: A Portrait Reconsidered, Brian E. Hack Jul 2021

Dating Deborah Hall: A Portrait Reconsidered, Brian E. Hack

Publications and Research

The elaborate, full-length portrait of Deborah Hall (1766, Brooklyn Museum) is one of the landmarks of Colonial portraiture, having earned its place in the canon for the pictorial innovations displayed by its creator, the enigmatic William Williams (1727-1791). The dominant narrative holds that Hall, the fifteen-year-old daughter of the Philadelphia printer David hall, tends her roses in an imaginary Garden of Love, surroundings Williams adapted from symbols of beauty and chastity found in emblem books of the period. The scholarly assumption is that the painting served to promote Deborah's marital suitability to potential suitors visiting the Hall residence. The current …


Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller May 2018

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

Theses and Dissertations

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.