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Africa's Conflict Minerals, Toni Smith Mar 2013

Africa's Conflict Minerals, Toni Smith

Africana Studies Student Research Conference

Conflict minerals are becoming a significant concern in the international community (as seen in the passage of legislature regulating and addressing them such as America’s Dodd Frank Act). Through the efforts of the United Nations, non-governmental organizations, and grassroots organizations (among others), Africa’s conflict minerals are receiving an ever increasing amount of attention. Though conflict minerals are mined in a variety of nations around the world, one nation that is endowed with all four minerals (tin, tungsten, tantalum, and gold) discussed in this paper is the Democratic Republic of the Congo (DRC). Along with being a nation highly endowed with …


Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose Mar 2013

Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose

Modern Languages and Literatures Annual Graduate Conference

This paper uses Homi Bhabha’s theory of colonial mimicry to analyze Pieter-Dirk Uys’s MacBeki: A Farce to be Reckoned With. In doing so I posit MacBeki is a colonial mimic, a character who comically imitates European gestures and language. MacBeki’s behaviour throughout the play highlights the dangers of greed and corruption in post-apartheid South Africa and encourages the play’s audience to respond with ridiculing laughter. My paper concludes by arguing that Uys’s play should be read as a hybrid text that draws on European dramatic styles and South African political events, staging a critical response to national uncertainties ahead …