Arts and Humanities Commons^™

Alice Dunbar-Nelson, Zora Neale Hurston, And The Creation Of "Authentic Voices" In The Black Women's Literary Tradition, Anna Storm

Theses and Dissertations

This dissertation focuses on African American women’s literature from the 1890s through 1948, covering the New Negro movement and sentimental domestic novel, the folk writings of the early twentieth century, and white-life fiction. The study investigates writers and texts that at various points in the creation of a black women’s literary tradition have been labeled “inauthentic” or have otherwise received comparably little attention by scholars of the tradition. In particular, I examine the work of Alice Dunbar-Nelson and Zora Neale Hurston, placing them in conversation with one another and within the broader context of black women’s writing at the turn …

Decolonizing African-American Museums: A Case Study On Two African-American Museums In The South, Anastacia Jonique Scott

Theses and Dissertations

This dissertation seeks to understand how African-American museums’ exhibits help individuals gain their sense of racial identity through public memory. In an era where the United States is supposedly “post-racial” African-American museums are flourishing. As institutions serving an important role in preserving the collective memory of African-American people in the US, African-American museums evoke questions of representation within the larger US narrative that confirm the persistent saliency of race in society, and therefore continue to have a public function in maintaining and developing a racial African-American identity (Jackson 2012; Eichstedt and Small 2002; Wilson 2012; Golding 2009).

My research is …

Two Strivings: Uplift And Identity In African American Rhetorical Culture, 1900-1943, Jansen Blake Werner

Theses and Dissertations

During the late nineteenth- and early twentieth century, the notion of “uplift” functioned as a major thematic within African American rhetorical culture. In this milieu, “uplift” generally connoted a sense of collective self-help. However, in contrast to more generalized reform efforts, uplift was expressed as a distinctly intraracial endeavor. That is, rather than overtly leveraging the dominant white society to enact legal or political reforms, uplift typically centered on the ways in which African Americans could enhance the quality of black life independent from white involvement.

Understood as public proposals for how African Americans could employ forms of self-help to …

Grassroots And Community Activism Within Milwaukee's Black Community: A Response To Central City Renewal And Revitalization Efforts In The Walnut Street Area, 1960s To 1980s, Madeline Mary Riordan

Theses and Dissertations

Many researchers and scholars have explored the Black urban experience and have often chosen to focus on the systemic and institutionalized forms of racism that affect different aspects of Black lives. Descriptions of central city lives as told by Black central city residents are starkly similar to the descriptions of Black residents of industrialized cities throughout the United States. Fragments of the Black urban experience are contained in discussions of the effects of urban renewal efforts, including “redevelopment” and “revitalization,” beginning most heavily in the 1940s. Looking back at urban renewal designs and strategies from the 1940s through the 1980s …

Sawft.Servindat... [V1.7], Ray Ferreira

Theses and Dissertations

A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog. Englishes juxtaposed with Spanishes juxtaposed …

Black Feminist Discourse Analysis Of Portrayals Of Gender Violence Against Black Women: A Social Work Dissertation, Avina Ross

Theses and Dissertations

This study explored media discourse of gender violence against Black women in Black contemporary films. Four Tyler Perry films were examined using a novel, qualitative and analytical framework: Black Feminist Discourse Analysis. Discourses that were studied include, but were not limited to: portrayals of gender violence and victims, character dispositions and interactions, stereotypes, relationship dynamics as well as portrayals of race, gender, sexuality and religion. The use of new and existing controlling images based on systems of race, gender, sexuality and religion were revealed in a transitional and systemic model. Common themes across the films are provided. This research closes …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams

Theses and Dissertations

A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …