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Full-Text Articles in Arts and Humanities
Urbanization On The Landscape Of The Old City: An Archaeological Investigation Of Site 40kn223 In Knoxville, Tennessee, Garrett B. Wamack
Urbanization On The Landscape Of The Old City: An Archaeological Investigation Of Site 40kn223 In Knoxville, Tennessee, Garrett B. Wamack
Masters Theses
In this thesis, I examine the effects of urbanization on the landscape and the people who lived upon it at archaeological site 40KN223 within the Old City in Knoxville, Tennessee. This landscape analysis focuses particularly on the decades from 1850 to 1920 during the birth and growth of the Old City. Amid the rising tides of commercialization, industrialization, and the flood-prone waters of First Creek, residents established a working-class neighborhood on the fringe of a substantial African American community. I examine this neighborhood and the transformation of its immediate landscape to understand how urbanization impacted its transformation, to learn who …
Color-Blind Stancetaking In Racialized Discourse, Abigail Christine Tobias-Lauerman
Color-Blind Stancetaking In Racialized Discourse, Abigail Christine Tobias-Lauerman
Masters Theses
In this thesis, I examine how language constructs and constrains racialized discourse in post-Jim Crow contemporary America. Drawing on rhetorical and sociolinguistic work set forth by Booth, Shotwell, Bonilla-Silva, Omi and Winant, and others, it is apparent that racial organization— and racial identities and categorization— in the US is reliant upon specific markers that signify racial meaning. Such markers are assimilated into wider, unconscious discourse through what Shotwell and Booth describe as seemingly inherent— yet ultimately constructed— matters of “common sense,” and are expressed through evaluative stance acts. I explore the origins and construction of these markers and the relationship …
Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg
Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg
Masters Theses
Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …