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Articles 1 - 8 of 8

Full-Text Articles in Arts and Humanities

Rosebloom And Pure White, Or So It Seemed, Mary Niall Mitchell Aug 2002

Rosebloom And Pure White, Or So It Seemed, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.


Spoken Haitian Creole (Kreyol Pale, Kreyol Konprann), Marc Prou Dec 2001

Spoken Haitian Creole (Kreyol Pale, Kreyol Konprann), Marc Prou

Marc E. Prou

A book organized around five major themes, which feature dialogues, oral conversation activities, and reading comprehension for intermediate learners.


Review Of Haiti In Focus: A Guide To People, Politics And Culture By Charles Arthur, Marc E. Prou Dec 2001

Review Of Haiti In Focus: A Guide To People, Politics And Culture By Charles Arthur, Marc E. Prou

Marc E. Prou

No abstract provided.


Alabama Review 2002 Article.Pdf, Amilcar Shabazz Dec 2001

Alabama Review 2002 Article.Pdf, Amilcar Shabazz

Amilcar Shabazz

A review of They Too Call Alabama Home: African American Profiles, 1800–1999. By Richard Bailey. Montgomery: Pyramid Publishing, 1999. xvi, 503 pp. $55.00. ISBN 0-967-1883-0-X.


Scholar Or Baller In American Higher Education? A Visual Elicitation And Qualitative Assessment Of The Studentathlete's Mindset, Keith Harrison Dec 2001

Scholar Or Baller In American Higher Education? A Visual Elicitation And Qualitative Assessment Of The Studentathlete's Mindset, Keith Harrison

Dr. C. Keith Harrison

Eminent scholar Harry Edwards (2000) has articulated three major realities of African American males in sports: a) The presumption of innate, race-linked black athletic superiority and intellectual deficiency; b) media propaganda portraying sports as a broadly accessible route to African American social and economic mobility; and c) a lack of comparably visible, high-prestige African American role models beyond the sports arena. Driven by labeling theory (Becker, 1963; Goffman, 1959), eight African American male student athletes were surveyed and interviewed. The last two points of Edwards' scholarship were investigated. "We have pretty good historical data and quantitative data about African American …


African American Racial Identity And Sport, Keith Harrison Dec 2001

African American Racial Identity And Sport, Keith Harrison

Dr. C. Keith Harrison

The purpose of this paper is to attempt to synthesize and apply African American racial identity theory and related research to the development of sport and physical activity patterns and preferences in African American youth. Historically the African American over-representation in particular sports phenomena has been examined genetically, anthropocentrically, physiologically, sociologically, and psychologically. The profusion of explanations is a testimony to the complexity of this phenomena. This manuscript provides yet another compelling perspective. Cross [(1995) The psychology of Nigrescence: revising the Cross Model, in: J.G. PONTEROTTO et al. (Eds) Handbook of Multicultural Counseling (Thousand Oaks, CA, Sage)] outlines the metamorphic …


Who Can A Baller Trust? Analyzing Public University Response To Alleged Student-Athlete Misconduct In A Commercial And Confusing Environment, Keith Harrison Dec 2001

Who Can A Baller Trust? Analyzing Public University Response To Alleged Student-Athlete Misconduct In A Commercial And Confusing Environment, Keith Harrison

Dr. C. Keith Harrison

No abstract provided.


Remember When Indians Were Red: Bob Kaufman, The Popular Front, And The Black Arts Movement, J Smethurst Dec 2001

Remember When Indians Were Red: Bob Kaufman, The Popular Front, And The Black Arts Movement, J Smethurst

James E. Smethurst

Unlike other African-American contemporaries who participated in the New American Poetry groupings of the 1950s, such as Ted Joans and Amiri Baraka, Bob Kaufman seems not to have been much engaged with the Black Arts Movement of the 1960s and 1970s. However, Kaufman's work in many respects was a crucial forerunner of the model of a popular avant-garde art rooted in African-American popular culture and connected to a radical anti-racist, anti-colonialist and internationalist sensibility that would be characteristic of much African-American nationalist art in the 1960s and 1970s. This model of what Werner Sollors has called a "populist modernism" is …