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- Stage combatant (200)
- Fight choreography (197)
- Actor combatant (196)
- Stage combat (196)
- Action actor (195)
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- Artistic fencing (195)
- Certified teacher (195)
- Fight Master (195)
- Fight coordination (195)
- Fight designer (195)
- Fight direction (195)
- Fight director (195)
- National Stage Combat Workshop (195)
- Prop weapon (195)
- Prop weapons (195)
- SAFD (195)
- Society of American Fight Directors (195)
- Stage action (195)
- Stage fight (195)
- Stage swords (195)
- Stage violence (195)
- Stunt fighting (195)
- Sword master (195)
- Theatrical firearms (195)
- Theatrical gunplay (195)
- Theatrical swordplay (195)
- Theatrical violence (195)
- Violence design (195)
- Acting (9)
- Fight scenes (8)
- Publication Year
Articles 1 - 30 of 210
Full-Text Articles in Arts and Humanities
The Fight Master, Spring 2020, Vol. 42 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2020, Vol. 42 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2019, Vol. 41 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2019, Vol. 41 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2018, Vol. 40 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2018, Vol. 40 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2018, Vol. 40 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2018, Vol. 40 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2017, Vol. 39 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2017, Vol. 39 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2016, Vol. 38 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2016, Vol. 38 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2014, Vol. 36 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2014, Vol. 36 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Fall 2011, Vol. 33 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2011, Vol. 33 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Throwing Down The Gauntlet: Finding The Best Partnership For Fight Scene Work, T. Fulton Burns
Throwing Down The Gauntlet: Finding The Best Partnership For Fight Scene Work, T. Fulton Burns
Theatre Faculty Research
Over the past few years I have written my perspective on the Skills Proficiency Test process. Earlier this year I thought that my process was complete but then an issue continued to creep up in my mind over and over again. It was that I had not addressed how best to find a partner for one's scene work. The reason for finding a good partner relates to my first workshop in stage combat. Discovering with whom to partner and with whom not to partner for scene work was the most valuable lesson I learned. Rather than focusing upon the ones …
The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns
Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns
Theatre Faculty Research
The concept of chance utilized by John Cage is a frightening, exciting, and liberating process for any artist. It was so effective that other musical artists such as Morton Feldman, Earle Brown and Christian Wolff used it. In the world of theatre these concepts are constantly used today by the Neo-Futurists in Chicago and New York in their production of Too Much Light Makes The Baby Go Blind and by Improv Troupes throughout the country.
When The Smoke From The Battle Has Cleared, T. Fulton Burns
When The Smoke From The Battle Has Cleared, T. Fulton Burns
Theatre Faculty Research
I can recall the time that followed my first national workshop. All of the excitement of new friends and new skills still went through me like a child on Christmas morning considering all of the possibilities of fun with my new toys. I thoroughly enjoyed having my college friends ask me to show them what I had learned. Eventually I was approached by a former professor to choreograph the fights for a production of Hamlet at my undergraduate program. With excitement and great pride I happily accepted.
Review Of Physical Theatres: A Critical Introduction, And: Physical Theatres: A Critical Reader, T. Fulton Burns
Review Of Physical Theatres: A Critical Introduction, And: Physical Theatres: A Critical Reader, T. Fulton Burns
Theatre Faculty Research
Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at the London Metropolitan University Undergraduate Centre) offer the theatre world two movement analysis texts. These well written books, which focus on techniques from the Western world of physical theatre, would serve graduate level or highly focused classes in movement pedagogy or practice. With their identical six-chapter breakdowns (“Genesis, Contexts, Namings”; “Roots: Routes”; “Contemporary Practices”; “Preparation and Training”; “Physicality and the Word”; “Bodies and Cultures”), the books may be used in relation to one another or stand alone as individual texts.
The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Just Before Dawn: Pre-Test Rituals And Preparation For Test Day, T. Fulton Burns
Just Before Dawn: Pre-Test Rituals And Preparation For Test Day, T. Fulton Burns
Theatre Faculty Research
In Asian martial arts films there are usually beautiful moments that reveal the fighters in deep meditation before they are to meet on the field of battle. The process appears to center and calm the individual while preparing them for the final moments of their lives. The day of a skills proficiency test (SPT) can feel the same way. The day of the test can be frustrating for the testers as well as those around them. Nerves can run high during this stressful time. I can still recall the excitement and nerves of my first test day at the 2000 …
The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Dueling With Spt Questions: Members Of The College Of Fight Masters Share Their Ideas For Skills Proficiency Tests, T. Fulton Burns
Dueling With Spt Questions: Members Of The College Of Fight Masters Share Their Ideas For Skills Proficiency Tests, T. Fulton Burns
Theatre Faculty Research
As the rehearsal process grows closer and closer to the Skills Proficiency Test (SPT) common questions arise regarding what is needed in order to pass. Many of these questions involve the same basic idea – “What are the Fight Masters looking for so that I can pass the test?”, but the most important question that is asked is – “Do you think I will pass?”
The Cutting Edge, September/October 2009, Vol. 20 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 2009, Vol. 20 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.