Architecture Commons^™

Collage, Perspective, And Space: The Consequences Of The Method Of Mies Van Der Rohe, Daniel Barker

Architecture Undergraduate Honors Theses

The method in which architects design space has the capacity to shape the manifestation of the built work. Architect Mies van der Rohe is one of the most noteworthy designers to exhibit this in his method of design: collage. This inquiry investigates the connection between the collages and the architecture of Mies van der Rohe, and how his use of collage defined the language of the architecture he created.

The investigation studied the collages and architecture of Mies van der Rohe through a design process investigation. Collages were made in the same language as Mies and used as a …

Alfred Hitchcock As A Cinematic Architect Of Suspense, Hannah Both

Architecture Undergraduate Honors Theses

Film has the ability to evoke powerful emotional reactions from its audience through the emotional atmosphere it creates. This almost intangible quality is difficult to quantitatively describe. Architecture, to the learned few, has a similar ability to evoke emotional reactions to the spatial atmosphere it creates. Broadly, the goal of this research is to investigate the emotional influence of suspense in cinematic space and how it might quantitatively be described through a series of definable principals or space making strategies evident through an analysis of Rear Window. The medium of film allows space to be released from the physical …

The Farnsworth House & 'The Grand Budapest Hotel': Cinematic Spaces, Rylie Davis

Architecture Undergraduate Honors Theses

Mies van der Rohe designed the Farnsworth House as a personification of his architectural vision, an architectural language void of the mistakes of the past that could be taught universally. Mies’ illusory idea of free-flowing anti-space was ideologically unconnected to the cinematic arts, nevertheless the application of his design philosophy consequently resulted in spaces that were scenographic and cinematic. Just as a cinematographer establishes a relationship between the viewer and the scene, Mies van der Rohe used perspective to frame views transforming the Farnsworth House into an intermediary object establishing a relationship between nature and the viewer. The Farnsworth House …