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Full-Text Articles in Architecture

Rethinking The Dionysian Legacy In Medieval Architecture: East And West, Jelena Bogdanović Jan 2011

Rethinking The Dionysian Legacy In Medieval Architecture: East And West, Jelena Bogdanović

Jelena Bogdanović

Indeed, everyone who attempted to read the still controversial Corpus Areopagiticum either in the original Greek or in any translation, even if supplemented by abundant annotations, would have to acknowledge numerous interpretative questions these texts raise. Namely, the Corpus blends seemingly irreconcilable pagan and Christian thoughts. On the one hand, the Corpus stems from philosophical Neoplatonic writings attributed to Dionysius the Areopagite—an Athenian convert under Paul, the “first intellectual” Apostle who himself was concerned mostly with debatable questions about what it means to be Christian (Acts 17:16 34). other hand, the corpus includes numerous sixth-century and later theological Christian collations …


The Rhetoric Of Architecture And Memory Of The Holy Sepulchre In Byzantium, Jelena Bogdanović Oct 2010

The Rhetoric Of Architecture And Memory Of The Holy Sepulchre In Byzantium, Jelena Bogdanović

Jelena Bogdanović

The actual physical appearance of the Anastasis‐Golgotha complex in Jerusalem during Byzantine times is not documented archaeologically. The extent and significance of the Byzantine interventions between the seventh and eleventh centuries, after the destructions by the Persians, from earthquakes, and devastating fire set by the Caliph al‐Hākim in 1009, remain understudied. Presumably, after each destruction the first structure restored for veneration was the major locus sanctus, the Holy Sepulchre. Because it is doubtful that the Byzantines kept records on the architectural design of the Holy Sepulchre, their reconstructions were not based on a definite pictorial scheme, but rather on the …


Book Review—Alexei Lidov, Hierotopy: Spatial Icons And Images-Paradigms In Byzantine Culture., Jelena Bogdanović Jan 2010

Book Review—Alexei Lidov, Hierotopy: Spatial Icons And Images-Paradigms In Byzantine Culture., Jelena Bogdanović

Jelena Bogdanović

After founding the Research Centre for Eastern Christian Culture in Moscow in 1991, the historian and theoretician of art Alexei Lidov has embarked vigorously into pioneering multidisciplinary and phenomenological research of relics and miraculous icons that are, arguably, the most fascinating and controversial objects within Christianity.


The Performativity Of Shrines In A Byzantine Church: The Shrines Of St. Demetrios / Перформативность Усыпальниц В Византийской Церкви: Святилища И Реликварии Св. Димитрия, Jelena Bogdanović Jan 2010

The Performativity Of Shrines In A Byzantine Church: The Shrines Of St. Demetrios / Перформативность Усыпальниц В Византийской Церкви: Святилища И Реликварии Св. Димитрия, Jelena Bogdanović

Jelena Bogdanović

Within the Byzantine ecclesiastical tradition, shrines — architectural structures which both enclosed and revealed saints’ remains — defined human bodies within the church space in a remarkable way. Starting in the fourth century, it became customary to exhume and move entire bodies, to permit their fragmentation, and to expose them in architectural settings other than the altar table in the sanctuary space. This practice echoed popular and private piety, which included reporting of miracles of saintly relics that recalled Gospels’ miracles and the hope for corporeal salvation. -- В византийской церковной традиции усыпальницы представляли собой архитектурные конструкции, которые одновременно и …


Art And Architecture: Russia, Jelena Bogdanović Jan 2010

Art And Architecture: Russia, Jelena Bogdanović

Jelena Bogdanović

Receiving Christianity only in 988/9, the East Slavic Rus' expressly appropriated art and architecture based on Byzantine models and elaborated their own styles. *Kiev, *Novgorod, and *Vladimir (Suzdalia) define the major foci of Rus' accomplishments in the pre-Mongolian period, before the 1230s. Only after the battle at *Kulikovo (1380) did monumental arts revive. And only when Prince Ivan the Great (r. 1462–1505) commissioned architects Aristotele Fioravanti and Alevisio Novi to work in the *Kremlin did the Italian Renaissance significantly influence Russian architecture.


Art And Architecture: Serbian, Jelena Bogdanović Jan 2010

Art And Architecture: Serbian, Jelena Bogdanović

Jelena Bogdanović

From the 9th-century conversion to Christianity until the 11th century, the ecclesiastical art and architecture of the Serbs, both Orthodox and Roman Catholic, shared the concurrent accomplishments of the Croats, Latins, and Greeks. All of these groups cohabited the territories between the rivers Bojana and Cetina in Duklja (Zeta, Montenegro), Zahumlje (Herzegovina), and their littoral. Wall *paintings, donor *portraits, inscriptions in Greek and Latin, and architectural *sculpture on *windows, portals, capitals, *chancel screens, *ciboria, and baptismal fonts, reveal influences of pre-Romanesque, Romanesque, and Byzantine models. Instructive examples come from the 9th-century *rotunda of St. Triphon at Kotor (809?), replaced by …


Forgotten Serbian Thinkers—Current Relevance: Preface To The Special Issue, Jelena Bogdanović Jan 2008

Forgotten Serbian Thinkers—Current Relevance: Preface To The Special Issue, Jelena Bogdanović

Jelena Bogdanović

The 2009 national convention of the Association for Slavic, East European, and Eurasian Studies featured a panel on Forgotten Serbian Thinkers. Scholars who are working in the United States and abroad presented their research on the contributions of individuals representing various disciplines. The articles in this special issue of the Serbian Studies expand on these topics and bring forward contributions about forgotten Serbian intellectuals who have marked their respective professions in architecture, astronomy, literature, and philosophy, but who have been “forgotten” either in Serbia or outside Serbia. Paradoxically, most of these thinkers were forgotten exactly because they were living and …


On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović Jan 2007

On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović

Jelena Bogdanović

The First National Uprising of the Serbs against the Ottoman Turks in the Belgrade paşalik (Smederevo Sandjak, also known as the Morava administrative division of the Ottoman Empire) in 1804 was the major event in the political history of the Balkans. Led by Đorđe Petrović—Karađorđe (Black George) (1762–1817), the Uprising (1804–13) was the first autonomous attempt of the subjugated to set themselves free from Ottoman rule. Initially local in scope and aims, the Uprising ultimately enabled the development of modern Serbia as well as the national development of other countries in the Balkans. Judging by the scope and quality of …


Jelisaveta Načić: The First Serbian Female Architect, Jelena Bogdanović Jan 2004

Jelisaveta Načić: The First Serbian Female Architect, Jelena Bogdanović

Jelena Bogdanović

In the entire history of architecture, few female architects are recognized by name. Jelisaveta Načić (1878–1955), the first woman architect in Serbia, is among these select few. Upon acquiring her degree in architecture from the Great School (Visoka Škola) in Belgrade in 1900, Načić worked on several municipal buildings in Belgrade and elsewhere, some of which have remained architectural landmarks in Serbia to the present day. Načić worked on the twentieth-century urban re-design for the so-called “Big Kalemegdan” in Belgrade and designed King Peter I Elementary School in Belgrade (1905–18). Jelisaveta Načić was also engaged in the design and execution …


Architect Nikola Dobrović—A Member Of The Heroic Generation, Jelena Bogdanović Jan 2003

Architect Nikola Dobrović—A Member Of The Heroic Generation, Jelena Bogdanović

Jelena Bogdanović

The modern movement in the 1920s and 1930s, called the "heroic period" of architecture, was considered a catalyst of the New World. The architectural manifest proclaimed in Vers une architecture by Le Corbusier (1923) asserted the techno-scientific industrial character of the age and announced social revolution as an experiment and epithet of modernism: a democracy where everything is relative, where the machine does the work, where science sets the course for society. Serbian architect Nikola Dobrovic (1897–1967) was educated in Prague and Budapest, and both cities were avant-garde centers at that time. As early as June 1930, in Hat Bouwbedrijf, …


The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović Jan 2002

The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović

Jelena Bogdanović

No abstract provided.