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Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
College Honors Program
The rise of the Victorian middle class is known for solidifying a separation of gender roles, with women operating in the private, domestic sphere and men in the public sphere. This historical value placed on domesticity is reflected in the rise of domestic fiction, the dominant genre of Victorian literature, which commonly depicts young, middle-class women making their way in the world. The plot of these narratives revolves around women perfecting or contending with their place in the domestic sphere through courtship, marriage, and family. Scholars on domestic fiction have continued to argue over whether domestic fiction reflected the oppressive …
Ironic Deference : An Inquiry Into The Nineteenth-Century Feminist Rhetoric Of Kesiah Shelton., Melissa Rothman
Ironic Deference : An Inquiry Into The Nineteenth-Century Feminist Rhetoric Of Kesiah Shelton., Melissa Rothman
Electronic Theses and Dissertations
This project examines the works of Kesiah Shelton, a writer for popular magazines in the late nineteenth century who used irony in interesting ways to critique the social norms of the period. Although, scholars have noted that female authorship was a an expanding field during this period, there were very specific gendered expectations limiting what female authors wrote about; women were primarily limited to writing about domestic matters and were discouraged from taking up other topics associated with the male public sphere such as politics. Many scholars have noted how the cult of domesticity valorized women as superior moral beings, …
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
Doctoral Dissertations
This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …
Being Incommensurable/Incommensurable Beings: Ghosts In Elizabeth Bowen's Short Stories, Jeannette Ward Smith
Being Incommensurable/Incommensurable Beings: Ghosts In Elizabeth Bowen's Short Stories, Jeannette Ward Smith
English Theses
I investigate the ghosts in Elizabeth Bowen’s short stories, “Green Holly” and “The Happy Autumn Fields.” By blending psychoanalytic feminism and social feminism, I argue that these female ghosts are the incommensurable feminine—a feminine that exceeds the bounds of phallocentric logic and cannot be defined by her social or symbolic manifestations. An analysis of Bowen’s ghosts as actual ghosts is uncharted territory. Previous Bowen critics postulate that Bowen’s ghosts are imaginary figments or metaphors. These critics make Bowen’s stories “truthful” representations of the world, but, as such, Bowen’s ghosts become representations of the world’s phallocentric order. In contrast, I argue …