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Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Doctoral Dissertations
This work analyzes the relationship between personal and historical memory in five Argentine films made after the end of the country's last dictatorship. All are directed by, and feature, women. Besides approaching the topic of memory, this work examines how patriarchy influences narratives of both personal histories and, more broadly, of history in: Camila (María Luisa Bemberg, 1984), Un muro de silencio (Lita Stantic, 1993), Los rubios (Albertina Carri, 2003) and La mujer sin cabeza (Lucrecia Martel, 2008). Trauma and the handing down of memory—issues that appear in all of the chosen films—are approached from a critical feminist perspective. At …
I Speak As One In Doubt, Margaret Hazel Wilson
I Speak As One In Doubt, Margaret Hazel Wilson
Masters Theses
A written thesis to accompany the M.F.A. Exhibition I Speak as One in Doubt. Blending epistolary format and visionary narrative, the artist addresses her complex relationship to her Catholic upbringing.
Z-Cube: Mobile Living For Feminist Nomads, Zi Ye
Z-Cube: Mobile Living For Feminist Nomads, Zi Ye
Masters Theses
Homes proclaim our social standing and reflect the trend of the times. This project seeks to explore and redefine the relationship between modern homes and modern women who strive for mobile life styles.
Modernism and globalization have brought us a new way of living that could have never been imagined before— our workspace and homes are no longer limited to a specific unit but have extended to the entire globe. The physical changes compelled by modernity have also complemented the changing role of women. Since the beginning of the 20th century, modern women have expanded their lives outside of their …
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
Doctoral Dissertations
This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …