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Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Doctoral Dissertations
This work analyzes the relationship between personal and historical memory in five Argentine films made after the end of the country's last dictatorship. All are directed by, and feature, women. Besides approaching the topic of memory, this work examines how patriarchy influences narratives of both personal histories and, more broadly, of history in: Camila (María Luisa Bemberg, 1984), Un muro de silencio (Lita Stantic, 1993), Los rubios (Albertina Carri, 2003) and La mujer sin cabeza (Lucrecia Martel, 2008). Trauma and the handing down of memory—issues that appear in all of the chosen films—are approached from a critical feminist perspective. At …
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …