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Articles 1 - 13 of 13
Full-Text Articles in Entire DC Network
The Haunting Aesthetics Of Empire: Filipinx America, Us Empire, And Cultural Production, Alana J. Bock
The Haunting Aesthetics Of Empire: Filipinx America, Us Empire, And Cultural Production, Alana J. Bock
American Studies ETDs
Throughout this dissertation, I argue that US imperial knowledge production affirms US exceptionalism by disavowing the imperial violence wrought on the Philippines and its people. This disavowal not only renders the Philippines and Filipinx bodies illegible, but also haunts the Filipinx American diaspora. I argue that the haunted logics of empire are a set of relations, rather than specters of specific times and places, in which knowledge and power work together to continually produce and reproduce a specific and limiting reality and sensorium through which to view the world. In my interrogation of empire’s haunted logics, I not only look …
Defoe’S Robinson Crusoe: “Maps,” Natural Law, And The Enemy, Ala Alryyes
Defoe’S Robinson Crusoe: “Maps,” Natural Law, And The Enemy, Ala Alryyes
Publications and Research
No abstract provided.
Westward Empire: George Berkeley’S ‘Verses On The Prospect Of Planting Of Arts’ In American Art And Cultural History, Elizabeth Kiszonas
Westward Empire: George Berkeley’S ‘Verses On The Prospect Of Planting Of Arts’ In American Art And Cultural History, Elizabeth Kiszonas
Graduate Theses and Dissertations
This study investigates the extraordinary half-life of a single line of poetry: “Westward the Course of Empire takes its Way…”. Beginning with their composition in 1726 by the Irish- Anglican bishop George Berkeley, these words colonized an enormous swath of cultural landscape over nearly two centuries. Immortalized in newsprint, broadsides, statesmen’s speeches, reading primers, geographies, the first scholarly history of the United States, as well as in poetry, paintings, lithographs, and photographs, the words evolved from an old-world vision of prophetic empire into a nationalist slogan of manifest destiny. Following the poem as it threads through literary and visual culture, …
From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer
From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer
Department of English: Dissertations, Theses, and Student Research
This thesis examines the experience of largely single women in London’s house of correction, Bridewell Prison, and argues that Bridewell’s prisoners, and the nature of their crimes, reveal the state’s desire for dependent, sexually controlled, yet ultimately productive women. Scholars have largely neglected the place of early modern women’s imprisonment despite its pervasive presence in the everyday lives of common English women. By examining the historical and cultural implications of early modern women and prison, this thesis contends that women’s prisons were more than simply establishments of punishment and reform. A closer examination of Bridewell’s philosophy and practices shows how …
Convocations Of Empire: Public Spectacle And Ceremony In Britain, 1851-2012, Ryan G. Hudnall
Convocations Of Empire: Public Spectacle And Ceremony In Britain, 1851-2012, Ryan G. Hudnall
Master of Liberal Studies Theses
Britain has long been associated with the staging of grand ceremonies, popular spectacles, massive exhibitions, state occasions, and Royal events which embody historically-informed conceptualizations of “Britishness.” To this end, significant public spectacles occurred periodically from the height of the British Empire until its decline—many of which spoke to the nature of British imperial ambition. This project traces the evolution of those key popular gatherings which relate to the shifting British imperial scene from 1851-2012, providing an in-depth accounting of the Great Exhibition of 1851, the Jubilees of Queen Victoria in 1887 and 1897, the postwar memorial movements after the First …
March 5th 2008, Hispanic News
May 2nd 2007, Hispanic News
September 6th 2006, Hispanic News
April 19th 2006, Hispanic News
August 29th 2001, Hispanic News
August 29th 2001, Hispanic News
Inland Empire Hispanic News
When you want to go to counseling but your partner doesn't Page 2
National Job Corps study shows big returns to taxpayers program returns $2.02 for every dollar invested Page 3
District aims to reduce suspensions ans expulsions Page 4
Preparations underway for the 5th annual Los Angeles Latino book & family festival Page 4
U.S Businesses owned by hispanics top $1 million Page 5
Riverside county office on aging Page 7
Cesar E. Chavez curriculum Development project Page 8
Taking steps in the fight against breast cancer Page 9
Victory for small business in the inland empire region Page …
November 26th 1997, Hispanic News
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Faculty Publications, English and Comparative Literature
The writer examines an aesthetics of empire evident in Eliot's The Waste Land. He contends that though this work's formal innovations appear “revolutionary,” its aesthetics fit into modernism's reactionary character and reflect the cultural politics of the British conservatism that Eliot had adopted. In decoding the poem's fragments and allusions, he illustrates Eliot's preoccupation with empire. He also shows how The Waste Land may be seen as part of a British literary tradition of “reading the wreckage” that goes back at least to Edward Volney's Ruins (1791).
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Paul Douglass
The writer examines an aesthetics of empire evident in Eliot's The Waste Land. He contends that though this work's formal innovations appear “revolutionary,” its aesthetics fit into modernism's reactionary character and reflect the cultural politics of the British conservatism that Eliot had adopted. In decoding the poem's fragments and allusions, he illustrates Eliot's preoccupation with empire. He also shows how The Waste Land may be seen as part of a British literary tradition of “reading the wreckage” that goes back at least to Edward Volney's Ruins (1791).