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The Mcgowan Trilogy (Plays), Seamus O'Scanlain
The Mcgowan Trilogy (Plays), Seamus O'Scanlain
Publications and Research
The McGowan Trilogy is a psychological journey of violence, sorrow and love lost. Set in 1980s Ireland after the Brighton Bombing which targeted Margaret Thatcher and her cabinet it follows the exploits of Victor M. McGowan - a new breed of IRA enforcer - in love with puns, guns and the pogo. The Trilogy won awards for Best Actress, Best Director and Best Production in 2014 and played for 20 nights in New York. In 2015 it played in the UK at the Kino-Teatr, An Taibhdhearc, The Town hall Westport and The Town Hall Galway.
Tom Fraser Intro To The Issues, Carl Milofsky
Tom Fraser Intro To The Issues, Carl Milofsky
Northern Ireland Archive
Fraser gives a history of Northern Ireland, the geopolitics of Northern Ireland's geographic and political relationship to the United Kingdom, and the historic relationships between Northern Ireland, the Republic of Ireland, and England and also the historic relationship between Catholics and Protestants. This lecture is meant to take students up to the beginning of the Civil Rights Movement and the period of the Troubles, which began in 1968. History from that time point forward is given on the Paul Arthur tapes available elsewhere in this archive.
As Close As You'll Ever Be, Seamus O'Scanlain
As Close As You'll Ever Be, Seamus O'Scanlain
Publications and Research
Short story collection featuring Victor McGowan - set in Galway, Belfast, Boston and New York. Irish crime fiction noir collection.
Alternative Ireland: Modernism And Urban Space In Twentieth-Century Irish Literature, Kurt Patrick Voss-Hoynes
Alternative Ireland: Modernism And Urban Space In Twentieth-Century Irish Literature, Kurt Patrick Voss-Hoynes
Open Access Dissertations
Twentieth-century urban literature of Dublin and Belfast presents Ireland’s alternative modernity as one that is ecumenical, heterogeneous, unique, and autonomous. In “Alternative Ireland: Modernism and Urban Space in Twentieth-Century Irish Literature,” I look to modernism, rather than postmodernism, as the aesthetic mode by which twentieth-century Irish novelists sought to re-think contemporary Ireland’s relationship to history and imagine a modern Ireland alternative to either imperial or provincial modernity. I argue that an alternative Irish modernity articulates a mass culture that not only rejects the mythological past but also recognizes cultural, social, and political possibilities that have been silenced in a traditional …