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Articles 1 - 8 of 8
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Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath
Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath
Doctoral Dissertations
"Irish Harps, Scottish Fiddles, English Pens: Romantic Satire and British Nationalism" discusses the intersection between satire and nationalism in late eighteenth- and early nineteenthcentury British Romantic poetry. Using case studies of three prominent satirists, Robert Burns, Thomas Moore, and George Gordon, Lord Byron to represent marginalized nationalities within the British state, I examine the ways in which each poet expresses a sense of dis-ease or uncomfortableness with their own national identity, an anxiety caused either by the ways in which their nationality was perceived within the British public, or by their own ability or inability to express that nationality. Thus, …
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Doctoral Dissertations
Queer writers in Britain during the early twentieth century found themselves in a fraught geopolitical context formed by imperial violence and the First World War. In this dissertation, I argue that many queer modernist artists employed performative strategies in order to navigate the increasingly narrow vision of WWI-era British national culture that accompanied this historical context. While performance allowed them to express queer politics and desires without risking total exposure and persecution, their performative aesthetic depended on a problematic use of racial tropes through which these desires were channeled. By attending to moments of national and gendered performances in the …
The Rise And Fall Of The New Edinburgh Theatre Royal, 1767-1859: Archival Documents And Performance History, Judith Bailey Slagle
The Rise And Fall Of The New Edinburgh Theatre Royal, 1767-1859: Archival Documents And Performance History, Judith Bailey Slagle
Judith Bailey Slagle
Excerpt: In 1859, the Edinburgh house of Wood and Company published a Sketch of the History of the Edinburgh Th eatre-Royal in honor of its fi nal performance and closing, its author lamenting that “Th is House, which has been a scene of amusement to the citizens of Edinburgh for as long as most of them have lived, has at length come to the termination of its own existence” (3).
Dogs, Cats, And A Lambkin: Speechlessness And The Animal In Ulysses, Pierce R. Watson
Dogs, Cats, And A Lambkin: Speechlessness And The Animal In Ulysses, Pierce R. Watson
Theses and Dissertations
This essay explores the status of the animal and the consequences of animal speechlessness in Ulysses, mainly focusing on encounters with dogs and cats. Through these animal encounters, Joyce provides a foundation for understanding the complications faced by the Bloom family in grieving their deceased infant son.
Sorley Maclean's Other Clearance Poems, Petra Johana Poncarová
Sorley Maclean's Other Clearance Poems, Petra Johana Poncarová
Studies in Scottish Literature
Discusses the treatment of the Highland Clearances, specifically the clearances from his home-island of Raasay, in the work of the Gaelic poet Sorley MacLean (Somhairle MacGill-Eain, 1911-1996), not only in his best-known Clearance poem "Hallaig," but in his prose writings, his major early sequence An Cuilithionn (1939, but not fully published till 2011), and several important shorter poems, “Am Putan Airgid” (“The Silver Button”), “‘Tha na beanntan gun bhruidhinn,’” and (more fully) “Sgreapadal.”
The Complete Poems Of Anne Bannerman, Matthew Heilman
The Complete Poems Of Anne Bannerman, Matthew Heilman
Electronic Theses and Dissertations
Anne Bannerman (c.1780-1829) spent most of her life in Edinburgh, Scotland and published three volumes of poetry in the early nineteenth century. For my dissertation, I have prepared the first fully-annotated critical edition of Bannerman’s complete works, including Poems (1800), Tales of Superstition and Chivalry (1802), and Poems, A New Edition (1807). A comprehensive introduction provides information on Bannerman’s life and background, and examines her work in the context of British Romanticism, the Gothic, Scottish nationalism, and the ballad tradition. Close-readings of the poems examine the ways in which Bannerman’s female narrators challenge early nineteenth-century conceptualizations of gender, particularly in …
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
ETD Archive
In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …
T. E. Lawrence's Seven Pillars Of Wisdom And The Erotics Of Literary History: Straddling Epic., Václav Paris
T. E. Lawrence's Seven Pillars Of Wisdom And The Erotics Of Literary History: Straddling Epic., Václav Paris
Publications and Research
No abstract provided.