Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 5 of 5
Full-Text Articles in Entire DC Network
Disruptive Voices In The American Musical Discourse: Comic Song Performance In The American Parlor, 1865-1917, Kevin Steven O'Brien
Disruptive Voices In The American Musical Discourse: Comic Song Performance In The American Parlor, 1865-1917, Kevin Steven O'Brien
Masters Theses
In the latter half of the nineteenth century, the American song sheet industry vastly increased in size. This mass mediated form reached a broad number of consumers, who performed this music in their homes, identified with it, and shaped the new discourse on their identity as they did so. Simultaneously, Americans were re-shaping their cultural conceptions of music, in a process Lawrence Levine chronicled as the emergence of “highbrow” and “lowbrow” distinctions. Performing music in the culturally sacralized space of the parlor was meant to be an edifying experience and a display of genteel, “highbrow” identities. Performing comic songs (comic …
“The Future Is Medieval”: Orality And Musical Borrowing In The Middle Ages And Online Remix Culture, Claire E. Mcleish
“The Future Is Medieval”: Orality And Musical Borrowing In The Middle Ages And Online Remix Culture, Claire E. Mcleish
Electronic Thesis and Dissertation Repository
This thesis re-situates sampling and the mashup in a broader tradition of musical borrowing and oral practice. Musical creators in the West borrowed throughout history; the variety and quantity of this borrowing remains dependent on the proprietary status of music. Copyright was first applied to music to protect printed scores, and is thus ill equipped to accommodate works that borrow recorded elements. Taking Ong’s concept of “secondary orality” as applied to hip hop by Tricia Rose, this thesis connects techniques of musical borrowing in the Middle Ages with those in the late-20th and 21st centuries through several close …
When The Mouse Meets The Elephant : A Manual For String Bass Players With Application Of The Philosophy And Principles Of The F. M. Alexander Technique, Yun-Chieh Chou
LSU Doctoral Dissertations
This study was concerned with the use of the Alexander Technique principles in avoiding unwanted muscular tension and maintaining proper use of the body in double bass playing. Of particular importance was how the Alexander Technique could facilitate the fundamentals of double bass playing. The Alexander Technique is a hands-on method which aids the individual in achieving muscular coordination which is free and lively. Applying the principles of the Alexander Technique helps one achieve a harmonious psychophysical state, which results in greater ease, poise, and physical coordination in any activity, even the most demanding of virtuoso works for double bass. …
A Performance Guide To Jean-Yves Malmasson's Opus 6 : Trois Poémes De Charles Baudelaire And Opus 30: Les Fleurs Du Désir, Zuly Elizabeth Inirio
A Performance Guide To Jean-Yves Malmasson's Opus 6 : Trois Poémes De Charles Baudelaire And Opus 30: Les Fleurs Du Désir, Zuly Elizabeth Inirio
LSU Doctoral Dissertations
This document is a performance guide of Jean-Yves Malmasson’s Opus 6: Trois poèmes de Charles Baudelaire for medium voice and piano and Opus 30: Les fleurs du désir, a chamber cantata for soprano, violin, cello and piano. Chapter 1 discusses the life and solo vocal works of Jean-Yves Malmasson. It contains biographical information as well as a discussion of Malmasson’s general compositional approach, his influences and his treatment of text, an analysis of the text that the composer wrote for Opus 30. Charles Baudelaire and selections from his volume of poems, Les fleurs du mal, is the focus of Chapter …
Conrad Susa's Discovery And Praises: A Conductor's Guide To Performance Considerations, Keith Harry Walker
Conrad Susa's Discovery And Praises: A Conductor's Guide To Performance Considerations, Keith Harry Walker
Theses and Dissertations
Conrad Susa (b. 1935) is an American composer who has contributed over thirty choral works that are of high quality incorporating texts written by well-known literary figures. His choral works are usually spiritual in nature though not strictly liturgical. Discovery and Praises is a presently unpublished cantata in four movements for mixed chorus, solos for two sopranos, an alto, a tenor, and a baritone. The accompaniment is scored for organ, harp, percussion, flute and handbells. Susa chose to set ancient poetry by Caedmon, Wipo of Burgundy, John Donne, and St. Patrick. Although the piece was composed in 1966 and revised …