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2011

Series

English Language and Literature

Articles 1 - 13 of 13

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Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale Nov 2011

Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale

English Faculty Publications

A literary criticism of several books including "Female Quixotism" by Tabitha Tenney, "The Female Quixote" by Charlotte Lennox, and "Angelina" by Maria Edgeworth is presented. According to the authors, these novels constitute a transatlantic genre which highlights the moral and cultural complexities faced by women in the 18th and 19th centuries. Particular focus is given to the novels' political contexts. Realism, the French Revolution, and republican government are also discussed.


Footnotes, Issue 10, Fall 2011, Department Of English Oct 2011

Footnotes, Issue 10, Fall 2011, Department Of English

Footnotes: Department of English Newsletter (2008-2012)

No abstract provided.


The Like Of Us Will Never Be Again" A Comparative Analysis Of The Contributions Of The Blasket Authors: Peig Sayers, Tomás O Criomhthain, And Muiris O Suilleabhain, Kelly Frances O'Donnell May 2011

The Like Of Us Will Never Be Again" A Comparative Analysis Of The Contributions Of The Blasket Authors: Peig Sayers, Tomás O Criomhthain, And Muiris O Suilleabhain, Kelly Frances O'Donnell

Honors Scholar Theses

This paper will discuss, compare, and contrast the three main works of the Blasket Island authors: Peig, by Peig Sayers, The Islandman by Tomas O'Crohan, and Twenty Years A-Growing by Maurice O'Sullivan. It will seek to identify unique elements of style, content, and purpose among the three authors, and in doing so will illuminate each piece's contributions to Blasket lore. Collectively, the paper should serve as a thorough introduction to Blasket literature and its overall place in Irish literature


From Monsters To Victims: Vampires And Their Cultural Evolution From The Nineteenth To The Twenty-First Century, Caitlyn Orlomoski May 2011

From Monsters To Victims: Vampires And Their Cultural Evolution From The Nineteenth To The Twenty-First Century, Caitlyn Orlomoski

Honors Scholar Theses

Vampires are the latest fad to appear on pop-culture’s radar, dominating literature, film, and television, but this is not the first time they have latched onto the public consciousness. These bloodsuckers have been a constant presence in literature and film since the 1897 publication of Bram Stoker’s Dracula, arguably the most influential vampire text of all time. Even before Dracula, vampires permeated Eastern European folklore, supposedly terrorizing small rustic communities in the dark of the night and acting as scapegoats for almost anything the locals could neither change nor understand. Since that time, vampires have represented society’s fears …


The Casualty Of Home, Molly Koeneman May 2011

The Casualty Of Home, Molly Koeneman

Mahurin Honors College Capstone Experience/Thesis Projects

Casualty of Home is a novel-in-stories focusing largely on the displacement felt due to situation or family. Often, members of a family have trouble making connections with each other, for each has its own thoughts, desires and expectations. Still, they have something rudimentary in common: blood. Because they are related, family members are inclined to care for individuals they might not even know, much less love. Spanning three generations, the characters in Casualty of Home deal with the constraints of family, the pressures of adolescence, and the limitations of the rural Southern culture in which they live. The characters face …


Bad Girls And Biopolitics: Abortion, Popular Fiction, And Population Control, Karen Weingarten Apr 2011

Bad Girls And Biopolitics: Abortion, Popular Fiction, And Population Control, Karen Weingarten

Publications and Research

No abstract provided.


"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug Apr 2011

"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug

Department of English: Dissertations, Theses, and Student Research

This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …


Eng 2007-001: Creative Writing: Fiction, Letitia Moffitt Jan 2011

Eng 2007-001: Creative Writing: Fiction, Letitia Moffitt

Spring 2011

No abstract provided.


Nothing But A Pack Of Cards: Semi-Fictitious Persons And Flopping Jellyfish In Elizabeth Bowen, Renée C. Hoogland Jan 2011

Nothing But A Pack Of Cards: Semi-Fictitious Persons And Flopping Jellyfish In Elizabeth Bowen, Renée C. Hoogland

English Faculty Research Publications

Taking the wildly conflicting critical evaluations of Elizabeth Bowen's final novel, Eva Trout, or Changing Scenes (1969) as its starting-point, this essay argues against 'interpreting' both the novel and its 'monstrous' heroine in conventional representational terms, to argue, instead, for an appreciation, or experience, of both novel and protagonist as instantiations of a process of becoming along Deleuzian lines. Rather than seeing Bowen's final novel as a (failed) attempt to do what the Anglo-Irish writer's previous work would have suggested this text to do as well, the novel and its eponymous heroine are approached as Bowen's rigorously ethical effort to, …


Et Cetera, Marshall University Jan 2011

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.


Introduction: A Tale Of Our Own Times, Melissa J. Homestead Jan 2011

Introduction: A Tale Of Our Own Times, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Sedgwick and the American Novel of Manners

In his preface to his novel of manners Home as Found (1838), James Fenimore Cooper repeats what were already commonplaces about American society as the subject matter for fiction. Lamenting "that no attempt to delineate ordinary American life, either on the stage or in the pages of a novel, has been rewarded with successful he admits Home as Found is another such attempt but professes he has "scarcely a hope of success. It would be indeed a desperate undertaking, to think of making anything interesting in the way of a Roman de …


Charlotte Brontë’S Villette, Mid-Victorian Anti-Catholicism, And The Turn To Secularism, Michael M. Clarke Jan 2011

Charlotte Brontë’S Villette, Mid-Victorian Anti-Catholicism, And The Turn To Secularism, Michael M. Clarke

English: Faculty Publications and Other Works

Although Charlotte Brontë’s Villette (1853) is frequently interpreted as anti-Catholic, reconciliation between Catholic and Protestant plays a pivotal role in the novel, as Lucy Snowe’s perspective evolves from narrow sectarianism to a more open stance. Brontë accomplishes this reconciliation by elucidating the differences at their deepest level: at the point where Protestantism challenges and ultimately evolves into a separate set of institutions from Catholicism. Drawing on Charles Taylor’s A Secular Age, this paper argues that, in its advocacy of the possibility of deep faith combined with religious pluralism, Villette anticipates modern secularism in the best sense of the word.


"We Endure Around Truths Immemorially Posited”: A Dramaturgical Research Analysis On Brian Friel’S Linguistic-Historical Drama “Translations”, Meredith Levy Jan 2011

"We Endure Around Truths Immemorially Posited”: A Dramaturgical Research Analysis On Brian Friel’S Linguistic-Historical Drama “Translations”, Meredith Levy

Undergraduate Research Awards

A dramaturgical analysis of Friel's Translations intended to provide an overview of the play to a director staging it. The paper focuses on topics such as Friel's life, the history of Northern Ireland relevant to the play, and thematic analysis. The PDF includes the author's entry submission essay for the 2011 Undergraduate Research Awards.