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An Interview With Michael Martone, Matthew Baker
An Interview With Michael Martone, Matthew Baker
Booth
Depending on whom you ask, Michael Martone is either contemporary literature's most notorious prankster, innovator, or mutineer. In 1988 his AAP membership was briefly revoked after Martone published his first two books -- a "prose" collection titled Alive and Dead in Indiana and a "poetry" collection titled Seeing Eye -- which, aside from Seeing Eye's line breaks, were word-for-word identical. His membership to the Society of Scottish Novelists was revoked in 1991 after SSN discovered that, while Martone's registered nom de plume had been "born" in Edinburgh, Martone himself had never been to Scotland. His AWP membership was revoked …
Shallow Roots: An Analysis Of Filipino Immigrant Labor In Seattle From 1920-1940, Krista Baylon Sorenson
Shallow Roots: An Analysis Of Filipino Immigrant Labor In Seattle From 1920-1940, Krista Baylon Sorenson
Undergraduate Honors Thesis Collection
This research looks to understand the disparity between Filipinos and their Asian American counterparts in cultural presence within the United States, especially given the Filipinos large numbers as immigrants to the United States. According to the 2000 United States Census, there were a little over 10 million who self identify solely as Asians. Of these 10 million, about 1,850,000 were Filipinos. This is the second largest Asian immigrant group. Their numbers are only exceeded by the Chinese. Filipinos themselves exceed other Asian groups such as Japanese, Koreans and Asian Indians.3 Historically, while the large majority of Filipinos immigrants settled in …
Lies, Lyres, And Laughter: Surplus Potential In The Homeric Hymn To Hermes, Christopher Bungard
Lies, Lyres, And Laughter: Surplus Potential In The Homeric Hymn To Hermes, Christopher Bungard
Scholarship and Professional Work - LAS
This paper seeks to reevaluate scholarly responses to the laughter in the Homeric Hymn to Hermes. Using Zupančič's recent work on comedy, I argue that Hermes intentionally exploits surplus potentials that emerge from splits in the perceived unity and completeness of Zeus's cosmos. Through surpluses (a tortoise-lyre, a baby cattle rustler, a baby master of legal speech), Hermes is able to attain his place among the Olympians. The laughter of the audience is one final expression of this acceptance of Hermes and his potential.