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- <p>Keats, John, 1795-1821 - Criticism and interpretation.</p> <p>Celts in literature.</p> (1)
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Articles 1 - 6 of 6
Full-Text Articles in Entire DC Network
Performing Remediation: The Minstrel, The Camera, And The Octoroon, Adam Sonstegard
Performing Remediation: The Minstrel, The Camera, And The Octoroon, Adam Sonstegard
English Faculty Publications
No abstract provided.
From Court To Collar: Post-Elizabethan Poetics And The Submissive Stance, Timothy J. Duffy
From Court To Collar: Post-Elizabethan Poetics And The Submissive Stance, Timothy J. Duffy
Fenwick Scholar Program
This project was created out of one key observation about the English Renaissance: that the poets of the sixteenth and seventeenth-centuries had to deal with social pressures, influences, and expectations far more directly than their eighteenth, nineteenth, twentieth-century, or contemporary counterparts. The struggle to establish an individual and innovative identity was as much a motivation for these poets as for any artists, yet the unique political circumstances that surrounded them called for a clever strategy, one inspired by continental models, the taking on of the submissive stance.
“Since Merlin Paid His Demon All The Monstrous Debt”: The Celtic In Keats, Brandy Bagar Fraley
“Since Merlin Paid His Demon All The Monstrous Debt”: The Celtic In Keats, Brandy Bagar Fraley
Theses, Dissertations and Capstones
This thesis argues that the Keatsian critical canon refuses to acknowledge the influence of Celticism in the works of John Keats and that such a gap displaces his poems from their cultural context and also prevents re-readings that might add depth and distinction to his place in the Romantic canon. After discussing the Celticism inherent in the literature, art, and social phenomenon of Keats’s day and briefly reviewing the scarce criticism that exists on the topic, the author reveals the prevalence of Celtic philosophies, figures, myths, and settings in Keats’s poetry. Then, she further argues that Keats through the feminized …
English Ethnicity And Race In Early Modern Drama, By Mary Floyd-Wilson. Cambridge: Cambridge University Press, 2003 (Book Review), Imtiaz Habib
English Faculty Publications
The article reviews the book "English Ethnicity and Race in Early Modern Drama," by Mary Floyd-Wilson.
Incest And Empire In The Faerie Queene, Kent Lehnhof
Incest And Empire In The Faerie Queene, Kent Lehnhof
English Faculty Articles and Research
"When considered in the context of Elizabeth's effort to silence all discussion of incest, Edmund Spenser's courtly epic aiming to cultivate favor with the monarch looks like a disastrous miscalculation, for incest appears throughout The Faerie Queene. Indeed, incest sits at the center (both literally and figuratively) of the Book of Chastity, the very book wherein Spenser encourages Elizabeth 'in mirrours more then one her selfe to see.' In the present essay, I investigate the apparently illogical and impolitic prominence afforded to incest in book three of The Faerie Queene, ultimately arguing that the imperialist logic underpinning the epic is …
We Don't Need No Water: Joyce And O'Brien Burning The Roof Of High Art, Robert J. Cannata
We Don't Need No Water: Joyce And O'Brien Burning The Roof Of High Art, Robert J. Cannata
Undergraduate Review
No abstract provided.