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Thomas Davis, The Nation, And Songs Of Irish Nationalism, Timothy Mason Love
Thomas Davis, The Nation, And Songs Of Irish Nationalism, Timothy Mason Love
LSU Doctoral Dissertations
Thomas Davis was a significant figure in the flourishing movement of cultural nationalism in mid-nineteenth-century Ireland. A cofounder of _The Nation_, Davis used the journal’s pages as a medium through which to promote a nationalist vision for Ireland distinctive for its nonsectarian appeal. Along with impassioned editorial prose, Davis employed poetry and song to carry his message to the public. “Young Ireland,” as Davis and his colleagues became known, focused their efforts especially on the traditional Irish song, elevating it as a symbol for their cultural heritage while harnessing its emotional power to strengthen their political cause. The songs printed …
British Identity And The German Other, William F. Bertolette
British Identity And The German Other, William F. Bertolette
LSU Doctoral Dissertations
British identity evolved through conscious comparisons with foreigners as well as through the cultivation of indigenous social, economic and political institutions. The German other in nineteenth- and twentieth-century Britain, like the French other in previous centuries, provided a psychological path toward unity against a perceived common enemy. Because German stereotypes brought into sharp focus what the British believed themselves not to be, they provided a framework for defining Britishness beyond Britain’s own internal divisions of race, ethnicity, class, religion, gender and politics. Post-World War II devolution and European integration have since revived British internal national divisions. The image of innocuous …
From Native To Nation: Copway’S American Indian Newspaper And Formation Of American Nationalism, David Shane Wallace
From Native To Nation: Copway’S American Indian Newspaper And Formation Of American Nationalism, David Shane Wallace
LSU Doctoral Dissertations
This dissertation argues that the publication of Copway’s American Indian (1851) challenges accepted representations of nineteenth-century American Native peoples by countering popular stereotypes. Interrogating a multiplicity of cultural artifacts at the moment of their meeting and investigating the friction created as they rub against one another within the columns of the periodical, I argue that the texts that contribute to the make-up of Copway’s American Indian are juxtaposed in such a way as to force nineteenth-century readers to reconsider the place of the indigenous inhabitants in the American nation. Seemingly disconnected tidbits of information, presented not individually but as components …