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Arts and Humanities

Honors Program Theses and Projects

Thesis

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Where The Heart Is A Collection Of Nonfiction Essays On The Meaning Of Home In The Age Of Movement, Alyssa Raymond Apr 2020

Where The Heart Is A Collection Of Nonfiction Essays On The Meaning Of Home In The Age Of Movement, Alyssa Raymond

Honors Program Theses and Projects

When I first decided to do this thesis project, I wanted to focus on travel, telling stories of my time living and traveling abroad. I wanted to write real accounts of my travels to show how ugly and difficult it could be sometimes, in hopes of showing a less romanticized and more realistic account of traveling. However, after I began writing I discovered another theme present. I found different meanings of home that I’ve held whilst traveling become a big part of the project. As I’ve learned traveling affects my own definition of home, I found it important to include …


Fighting For Their Lives: Why The Marginalized Irish From The 1840s-1910 Dominated American Prizefighting, Owen Marshall Dec 2018

Fighting For Their Lives: Why The Marginalized Irish From The 1840s-1910 Dominated American Prizefighting, Owen Marshall

Honors Program Theses and Projects

One of the most recognizable figures in the world during his lifetime, heavyweight boxing champion Muhammad Ali, previously Cassius Clay and Cassius X, put his self-esteem on display with the simple declaration “I am the greatest.” This was a phrase he told himself long before he truly was the greatest, but he proved it to the world in 1964 when he defeated defending champion Sonny Liston. Upon knocking out his dangerous, violent, and cheating opponent, Ali whipped himself into a frenzy, as onlookers saw him fall over the ropes, scream at the ringside reporters who had previously doubted him, and …


“Only A Passing Idiocy”: The Ku Klux Klan In Maine State Politics, Erin Best Dec 2018

“Only A Passing Idiocy”: The Ku Klux Klan In Maine State Politics, Erin Best

Honors Program Theses and Projects

During the late the nineteenth and early twentieth centuries, French Canadians migrated to the United States to fill existing labor gaps in New England’s textile mills. By the 1920s, French Canadians and Franco-Americans dominated textile labor in Maine. Despite its general rural cultural landscape, the modernism of the 1920s did come to influence the lived-experience of Maine’s French-speaking population. Urban centers like Lewiston-Auburn, Portland, and Bangor were urban-industrial towns that tended to be oppositional to the state’s more rural and conservative demographic. This sparked a general counter-movement among Maine’s conservative Protestant population. Similar to other rural regions in the United …