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More (Colonial) Hauntings In The Turn Of The Screw, Paul Sharrad Jan 2012

More (Colonial) Hauntings In The Turn Of The Screw, Paul Sharrad

Faculty of Arts - Papers (Archive)

Let me start by asking two questions to which the voluminous scholarship on Henry James’s The Turn of the Screw has seemingly not paid full attention. First, from where does Flora learn her shocking language? Second, in a tale whose details are inspected from as many angles as critics can devise, what weight might we give to the Indian origin of the two children who provide an extra turn to the storytelling screw? My argument here is that a postcolonial reading of the text can provide us with answers. In teasing out intertextual uses of the details regarding the children’s …


Reconfiguring "Asian Australian" Writing: Australia, India And Inez Baranay, Paul Sharrad Jan 2010

Reconfiguring "Asian Australian" Writing: Australia, India And Inez Baranay, Paul Sharrad

Faculty of Arts - Papers (Archive)

In the fifty or so years of building recognition for first "migrant" and then "multicultural" writing in Australia, it is a fair generalisation to say that visible emphasis shifted from European to East and Southeast Asian voices without much mention of South Asians. Some might attribute this to an exclusionary domination of the label "Asian Australian" by one ethnic group under the influence perhaps of critical debates in the US, or they might regard such a label, whatever it means, as a neo-colonial homogenising of ethnicities and cultural differences by ongoing white hegemony (Rizvi). Without playing a blame game, one …


Not Here, Not There (Review: Culture Is.. Australian Stories Across Cultures: An Anthology By Anne-Marie Smith (Ed), Michael Jacklin Jan 2009

Not Here, Not There (Review: Culture Is.. Australian Stories Across Cultures: An Anthology By Anne-Marie Smith (Ed), Michael Jacklin

Faculty of Arts - Papers (Archive)

ALBERTO DOMINGUEZ identified himself as un Australiano de habla hispana - a Spanish-speaking Australian. As such, he gave enormously to the Spanish-speaking community of Sydney. Dominguez was a radio broadcaster with SBS and community radio stations in western Sydney, and a founding member of several Latin American cultural organisations. For many Spanish-speaking Australians who came as refugees from Latin America, Dominguez's radio-voice provided them with essential information and helped them settle in. Yet when he died as a passenger aboard American Airlines flight 11, which struck the northern tower of the World Trade Centre in September 2001, most media in …


La Cinematografia Nazionale Australiana Nella Seconda Metà Del Novecento E La Rappresentazione Del Fenomeno Migratorio Non Angloceltico, Gitano Rando Mar 2008

La Cinematografia Nazionale Australiana Nella Seconda Metà Del Novecento E La Rappresentazione Del Fenomeno Migratorio Non Angloceltico, Gitano Rando

Faculty of Arts - Papers (Archive)

Although a significant minority of Australia’s population is of non angloceltic origin, Australia’s national cinema has consistently understated the impact and the multiple ramifications of the migration experiences of the many ethnic groups constituting Australia society. Initially geared, in the 1950s, to projecting an image of Australia as an all-accepting earthly paradise, films and documentaries produced up to the end of the 1970s present themes that underscore the superiority of Australian values and the need for the many ethnic groups that have settled in the country to assimilate into mainstream society. It is only in the last part of the …


Convicts, Call Centres And Cochin Kangaroos: South Asian Globalising Of The Australian Imagination., Paul Sharrad Feb 2006

Convicts, Call Centres And Cochin Kangaroos: South Asian Globalising Of The Australian Imagination., Paul Sharrad

Faculty of Arts - Papers (Archive)

This paper considers a history of imaginative links between Australia and India, offering readings of Suneeta Perez da Costa's 'Homework' and Christopher Cyrill's 'The Tributaries of the Ganges'.


Stages Of Development: Remembering Old Sydney In Ruth Park's 'Playing Beatie Bow' And A Companion Guide To Sydney, Monique C. Rooney Jan 2004

Stages Of Development: Remembering Old Sydney In Ruth Park's 'Playing Beatie Bow' And A Companion Guide To Sydney, Monique C. Rooney

Faculty of Arts - Papers (Archive)

Ruth Park's Playing Beatie Bow (1980) can easily be read as a bildungsroman, a novel of self-development or apprenticeship. Falling between the "child" and the "Young Adult" category, it is the story of an adolescent girl who comes to terms with the part she plays in a family romance. This plot, in keeping with other Oedipal dramas, matches personal development with issues of social, cultural and national importance. However, in tension with this thematic of personal and cultural progression is Park's exploration of the contradictory role that the fetish plays in a female coming-of-age narrative. This essay analyses Park's deployment …


Len Fox 1905-2004, Rowan Cahill Jan 2004

Len Fox 1905-2004, Rowan Cahill

Faculty of Arts - Papers (Archive)

The Eureka flag draped over the coffin of Len Fox was there because Len had spent much of his life, some 60 years and three books, authenticating a flag in the Ballarat Art Gallery as the flag that flew over the stockade of the Eureka rebels in 1854, the symbol, in the words of historian Bob Walshe who spoke at his funeral service, "that most dramatically captures the spirit of Australian struggle for an independent democratic republic".


"A Fearful Calligraphy": De/Scribing The Uncanny Nation In Joy Kogawa’S Obasan, Gerry Turcotte Jan 2002

"A Fearful Calligraphy": De/Scribing The Uncanny Nation In Joy Kogawa’S Obasan, Gerry Turcotte

Faculty of Arts - Papers (Archive)

[Extract] This paper takes as its starting point Joy Kogawa’s 1981 novel Obasan, a story which revolves around what McFarlane has called “arguably the most documented instance of ethnic civil rights abuse in Canadian history” (“Covering Obasan” 401): the internment of the Japanese Canadians during and after the Second World War and their subsequent dispossession and exile. It also takes as one point of intersection the Japanese Canadian Redress Agreement—the decision of the Mulroney Government on 22 September 1988 to offer an apology and restitution to the Japanese Canadians for their suffering and unjust treatment. More specifically, this reading is …


Symbolic Politics And Cultural History, Anthony Ashbolt Jan 1996

Symbolic Politics And Cultural History, Anthony Ashbolt

Faculty of Arts - Papers (Archive)

Transcript of an interview with Professor Michael Paul Rogin, Robson Professor of Political Science, University of California, Berkeley, conducted in the Cafe Grace, Berkeley, November 1, 1995.