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The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes

Dissertations

The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present flute community.

My research focused on gathering data about the flute section and the individuals who were instrumental for the creation and development of …

Quarry: Poems, Christina Ann Rothenbeck

Dissertations

A book-length poetry manuscript including poems about hunting, illness, domesticity, illness, girlhood, and the body.

Blue Mountain: A Chamber Opera For Winds And Voices By Justin Dello Joio: A Unique Contribution For Wind Band Literature, Armando Saldarini

Dissertations

Blue Mountain is an opera in one act scored for four voices, and thirty-three instruments, commissioned by Det Norske Blaseensemble. Under the direction of Kenneth Jean, the premiere took place on October 8, 2007, at Kanonhalen in Oslo, Norway, as part of the Edvard Grieg Centennial celebrations and the 2007 Ultima contemporary Music Festival. The opera takes place in Troldhaugen, Norway, during the last days of Edvard Grieg’s life. Suffering from emphysema, Grieg was being treated by his doctor with morphine that created great anxiety, fear, and mental torment. A visit from his friend, Percy Grainger, gave Grieg great …

Does Change In Timbre Alter Stereotypy Movements Exhibited By Three Persons With Diagnoses Of Mental Retardation And Autism Spectrum Disorder: Three Case Studies, Kathy Wade Webb

Dissertations

The purpose of this study was to observe and collect data while monitoring the responses of three individuals to recorded presentations of four folk songs. The individuals, or participants, were all residents of a state-run facility in the southern region of the United States. The participants were females diagnosed with mental retardation and autism spectrum disorder, and they all exhibited one or more stereotypy behaviors in some form or another. The primary purpose of the study was to see if change in timbre of the songs would alter the stereotypy movements exhibited by these participants as the songs were presented …

"The Mirror Turn Lamp": Natural-Supernatural In Yeats, Cleston Lee Armstrong Iii

Dissertations

The supernatural portrayed in Yeats represents a carefully constructed convergence of all major themes in his canon. Yeats's first exposure to myth, the supernatural, and magic occurs in the 1890s when he worked as an editor of William Blake and Irish fairy lore. This experience at once inspired Yeats to explore mysticism and to shroud his own collected works in mystery. With the onset of modernity and the age of criticism this period ushered in, however, he was unable to capitalize on the spiritual as first imagined. As mere aesthetic, peculiar illuminations of the immaterial world Yeats so intensely sought …

Luigi Zaninelli: Rehearsing, Performing, And Conducting Selected Works 2005-2008, James Ernest Standland

Dissertations

The purpose of this study was to provide a resource for band conductors for rehearsing and performing band compositions of Luigi Zaninelli, specifically Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice. Certain decisions conductors make and even risks they take can make the difference in an ensemble's understanding of the music. This study provides an analytical view of Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice in terms of tempi, form, ensemble blend and balance, intonation, melodic lines, and conducting gestures.

Metoikos: Modernism's Resident Aliens, Justin Glen Williamson

Dissertations

This dissertation examines why D.H. Lawrence, Joseph Conrad, T.S. Eliot, Ezra Pound, and James Joyce all conceived of themselves as cultural outsiders and how they used this ostensibly marginal social status to conceal a set of conservative core values they sensed were eroding. This otherwise disparate group shared a sense of cultural alienation, recognized the potentially powerful position of the exile, and demonstrated a keen willingness to exploit its possibilities. Although these writers have long been acknowledged and heralded for their experimentation, their technical and formal innovation, much of their work springs from essentially conservative impulses, beliefs, and values, aimed …