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The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach Feb 2024

The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach

Studies in Scottish Literature

Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …


Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth Feb 2024

Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth

Studies in Scottish Literature

Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.


‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall Feb 2024

‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall

Studies in Scottish Literature

Examines C. M. Grieve’s (Hugh MacDiarmid’s) most important journal enterprise, The Scottish Chapbook, which critics have assumed marks the beginning of a modernist Scottish renaissance. Against this view, this article argues that the range of contributions to the Chapbook were generally not modernist in their formal characteristics, many recalling the Victorian or fin-de-siècle periods. While the Chapbook’s brief lifespan (1922–23) was typical for modernist little magazines, the dilemmas encountered by Grieve’s periodical – restricted finances, lack of avant-garde contributors – are explained here as a side-effect of ‘localist modernism’, a concept defined by Eric B. White.


Esther Inglis: A Franco-Scottish Jacobean Writer And Her Octonaries Upon The Vanitie And Inconstancie Of The World, Jamie Reid Baxter Dec 2022

Esther Inglis: A Franco-Scottish Jacobean Writer And Her Octonaries Upon The Vanitie And Inconstancie Of The World, Jamie Reid Baxter

Studies in Scottish Literature

This article draws attention to the hitherto ignored poetry of the Franco-Scottish Jacobean calligrapher and limner, Esther Inglis (c.1570 -1624). Inglis is the subject of a fast growing body of published scholarship, but though she left a small body of original prose and verse, she has been given no place in Scottish literature. The article falls into six sections. The substantial first section notes first that to date, there has been a tendency to shy away from dealing with her as a writer, and that Inglis’s formative Scottish background has been largely ignored. The second section looks at Inglis and …


Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith Dec 2021

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.


The Natural-Supernatural Solway, Fiona Stafford Oct 2021

The Natural-Supernatural Solway, Fiona Stafford

Studies in Scottish Literature

Explores, through discussion of Burns's letters from Annan Water on the Solway, and in his poems, Burns's treatment of the supernatural, specifically his references to treatment of Kelpies, the mythical Scottish waterhorses seen in the destructive force of Solway tides and storms, carrying this forward to the work of Allan Cunningham, including his story “Judith Macrone, the Prophetess” (1821) and his poem "The Mermaid of Galloway" (1810).


Introduction: Literary Geographies: The Solway Firth, Gerard Lee Mckeever Oct 2021

Introduction: Literary Geographies: The Solway Firth, Gerard Lee Mckeever

Studies in Scottish Literature

Introduces the symposium that follows by describing the Solway Firth, its shores and its significance in the late 18th and early 19th century, defining the perspective of the symposium as "critical regionalism," examining the theme through an 1821 magazine story-series about a steam-boat on the Solway and through Allan Cunningham's novel Lord Roldan (1836), and reviewing the other symposium papers to highlight their contributions to this theme.


'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman Dec 2020

'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman

Studies in Scottish Literature

This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of "pastoral improvement" on an individual and national scale and foresees--to a point--how his work will be received in the decades and even centuries to come. After situating his work within the uprising of the Galloway Levellers, pastoral, and the early work of agricultural improvement, I consider how the concept of improvement shapes the reception of his work in the Linley-Tickell production of the 1780s--including a surprising appearance from the Shakespearean forger, William Henry Ireland--and the key role The Gentle Shepherd plays in "The Young …


The King And The People In Burns And Lady Nairne, With A Coda On Jane Austen’S Favorite Burns Song, Carol Mcguirk Aug 2020

The King And The People In Burns And Lady Nairne, With A Coda On Jane Austen’S Favorite Burns Song, Carol Mcguirk

Studies in Scottish Literature

Explores the treatment of the monarchy, and the Jacobite song tradition, in Robert Burns (who "refuses political silence yet ... embraces indirection, even contradiction") and Caroline Oliphant, Lady Nairne (whose "lyrics highlight Scottish solidarity... offering her readers [and the performers of her songs] an immersion experience in being Jacobite"), with discussion also of Jane Austen's favourite Burns song "“Their Groves of Sweet Myrtle,” suggesting that this is echoed in Austen's Emma.


The Reputation Of David Gray, David Mcvey Aug 2020

The Reputation Of David Gray, David Mcvey

Studies in Scottish Literature

Discusses responses to the poetry, including the death, of the Scottish poet David Gray (1838-1861), primarily with reference to his longer poem The Luggie and his sonnet sequence In The Shadows, exploring the extent to which Gray himself consciously constructed a reputation around his own imminent death from TB, through reference to the career and death of earlier sufferers, including Michael Bruce, Robert Pollock, and John Keats.


Writing The Highland Tour: A Story Of A Deeply Troubling Kind, Andrew Hook Aug 2020

Writing The Highland Tour: A Story Of A Deeply Troubling Kind, Andrew Hook

Studies in Scottish Literature

Review and discussion of Nigel Leask, Stepping Westward: Writing the Highland Tour c.1720-1830 (Oxford: Oxford University Press, 2020), from Burt and Pennant to Dr Johnson, William and Dorothy Wordsworth, and John Keats, praising the book as timely, and suggesting that in discussing attitudes to the people of the Scottish Highlands it tells "a story of a deeply troubling kind."


Sorley Maclean's Other Clearance Poems, Petra Johana Poncarová May 2017

Sorley Maclean's Other Clearance Poems, Petra Johana Poncarová

Studies in Scottish Literature

Discusses the treatment of the Highland Clearances, specifically the clearances from his home-island of Raasay, in the work of the Gaelic poet Sorley MacLean (Somhairle MacGill-Eain, 1911-1996), not only in his best-known Clearance poem "Hallaig," but in his prose writings, his major early sequence An Cuilithionn (1939, but not fully published till 2011), and several important shorter poems, “Am Putan Airgid” (“The Silver Button”), “‘Tha na beanntan gun bhruidhinn,’” and (more fully) “Sgreapadal.”


'Rebellious Highlanders': The Reception Of Corsica In The Edinburgh Periodical Press, 1730-1800, Rhona Brown Dec 2016

'Rebellious Highlanders': The Reception Of Corsica In The Edinburgh Periodical Press, 1730-1800, Rhona Brown

Studies in Scottish Literature

Examines the way Scottish periodicals, especially the Weekly Magazine and the Caledonian Mercury, reported and discussed the nationalist resistance in Corsica against first Genoese and then French rule; recalibrates the role of James Boswell in shaping Scottish opinion about Corsica, especially in his Account of Corsica (1768); notes the parallels made by Scottish commentators between the Corsican resistance under Pascal Paoli and the Scottish highlands, especially the Jacobite risings of 1715 and 1745; and suggests the value of looking at the distinctive responses of Scottish periodicals, not just the print networks based on London.


Recovering The Reformation Heritage In George Mackay Brown's Greenvoe, Richard Rankin Russell May 2016

Recovering The Reformation Heritage In George Mackay Brown's Greenvoe, Richard Rankin Russell

Studies in Scottish Literature

Suggests that attitudes to Presbyterianism and the Scottish Kirk in much 20th century Scottish literary criticism have been too negative, and explores the religious heritage and selected writings of the Orcadian poet and novelist George Mackay Brown (1921-1996), a Catholic convert, to argue that Brown's best-known novel, Greenvoe (1972), draws not only on Catholic, and older pagan, symbolism, but also on aspects of the Reformed or Calvinist tradition.


Ossianic Telegraphy: Bardic Networks And Imperial Relays, Eric Gidal Dec 2015

Ossianic Telegraphy: Bardic Networks And Imperial Relays, Eric Gidal

Studies in Scottish Literature

Relates James Macpherson's Fragments of Ancient Poetry (1760) and other Ossianic poems to evolving Scottish networks of commerce and communication, especially commercial telegraphy and the postal system, and posits associations also with comments in Adam Smith's Lectures on Jurisprudence and Theory of Moral Sentiments, to suggest that Macpherson's remediation of oral poetry asserted ideas of authorial identity and readership as "relays" in a new imperial network.


John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson Dec 2015

John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson

Studies in Scottish Literature

Presents a detailed discussion and appreciation of the Slab Boys tetralogy, a sequence of four plays by the Scottish playwright and painter John Byrne, beginning with The Slab Boys (1978), focused on a group of apprentices in the color-mixing room of a Paisley carpet-factory in the 1950s, and then tracing the divergence of their lives through three later plays, The Loveliest Night of the Year (1979, later titled Cuttin' A Rug), Still Life (1982), and Nova Scotia (2008); examines Byrne's characterization, "excoriatingly destructive wit," and "rambunctiously demotic language"; analyzes the tetralogy's continuing major themes of the relation between art …


Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen Nov 2014

Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen

Studies in Scottish Literature

Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.


'They Gang In Stirks And Come Out Asses': Creative Writing And Scottish Studies, Liam Mcilvanney Nov 2014

'They Gang In Stirks And Come Out Asses': Creative Writing And Scottish Studies, Liam Mcilvanney

Studies in Scottish Literature

Recounts the experience as a student of the New Zealand poet James K. Baxter and discusses the interrelation of creative writing and literary scholarship, in Scottish universities and in New Zealand.


For "The Prosperity Of Scotland": Mediating National Improvement In The Scots Magazine, 1739-49, Alex Benchimol Aug 2013

For "The Prosperity Of Scotland": Mediating National Improvement In The Scots Magazine, 1739-49, Alex Benchimol

Studies in Scottish Literature

Discusses the early years the the Scots Magazine, founded in Edinburgh in 1739, examining the aims of its publishers, and the development of its political and economic views before and after the Jacobite Rising of 1745-46, in light of contemporary Scottish ideas of social and economic improvement.


"And The Roadside Fire": Portrayals Of Home Through National Song In Stevenson's Scottish Adventures, Christy Danelle Di Frances Aug 2013

"And The Roadside Fire": Portrayals Of Home Through National Song In Stevenson's Scottish Adventures, Christy Danelle Di Frances

Studies in Scottish Literature

This article considers allusions to popular Scottish song in Stevenson’s work, especially in Kidnapped, to interrogate Stevenson’s broader configuration of home, as both personal and engaged with the Scottish national consciousness, exploring how he preserves home within his modern adventure aesthetic through reference to popular Scottish song, ballads and folk songs.


Digital Scotlands, Caroline Mccracken-Flesher Jan 2012

Digital Scotlands, Caroline Mccracken-Flesher

Studies in Scottish Literature

No abstract provided.


Dr. Johnson In The Gaeltacht, 1773, Ian Simpson Ross Jan 2007

Dr. Johnson In The Gaeltacht, 1773, Ian Simpson Ross

Studies in Scottish Literature

No abstract provided.


Drunkenness And Ambition In Early Seventeenth-Century Scottish Literature, Sally Mapstone Jan 2007

Drunkenness And Ambition In Early Seventeenth-Century Scottish Literature, Sally Mapstone

Studies in Scottish Literature

No abstract provided.


The Crone, The Prince, And The Exiled Heart: Burns's Highlands And Burns's Scotland, Carol Mcguirk Jan 2007

The Crone, The Prince, And The Exiled Heart: Burns's Highlands And Burns's Scotland, Carol Mcguirk

Studies in Scottish Literature

No abstract provided.


A Liuthad Soitheach: Exile And The Clearances In The Writing Of Lain Crichton Smith, Moray J. Watson Jan 2004

A Liuthad Soitheach: Exile And The Clearances In The Writing Of Lain Crichton Smith, Moray J. Watson

Studies in Scottish Literature

No abstract provided.


Plain Style, Or The High Fashion Of Empire: Colonialism, Resistance And Assimilation In Adam Smith's Lectures On Rhetoric And Belles Lettres, Lori Branch Jan 2004

Plain Style, Or The High Fashion Of Empire: Colonialism, Resistance And Assimilation In Adam Smith's Lectures On Rhetoric And Belles Lettres, Lori Branch

Studies in Scottish Literature

No abstract provided.


Rivalry And Desire In Scott's Rob Roy, Ian Dennis Jan 1999

Rivalry And Desire In Scott's Rob Roy, Ian Dennis

Studies in Scottish Literature

No abstract provided.


The Moment Of Modernism: Schopenhauer's "Unstable Phantom" In Conrad's Heart Of Darkness And Stevenson's The Master Of Ballantrae, Nels C. Pearson Jan 1999

The Moment Of Modernism: Schopenhauer's "Unstable Phantom" In Conrad's Heart Of Darkness And Stevenson's The Master Of Ballantrae, Nels C. Pearson

Studies in Scottish Literature

No abstract provided.


Burns, Macdiarmid And Beyond: Transformations Of The Love Lyric And Its National Context, Margery Palmer Mcculloch Jan 1998

Burns, Macdiarmid And Beyond: Transformations Of The Love Lyric And Its National Context, Margery Palmer Mcculloch

Studies in Scottish Literature

No abstract provided.


Peter Lithgow: New Fiction By Thomas Carlyle, Ian Campbell Jan 1996

Peter Lithgow: New Fiction By Thomas Carlyle, Ian Campbell

Studies in Scottish Literature

No abstract provided.