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Anwar Al-Aulaqi: Targeted Killings, Emergency Executive Powers, And The Principle Of Proportionality, Charles John Smith
Anwar Al-Aulaqi: Targeted Killings, Emergency Executive Powers, And The Principle Of Proportionality, Charles John Smith
Charles Kay Smith
No abstract provided.
In Memoriam, J.F.K., Charles Allen Smith
In Memoriam, J.F.K., Charles Allen Smith
Charles Kay Smith
Two thousand years ago a man who called himself Koheleth said in the book of Ecclesiastes: "To everything there is a season, and a time to every purpose under the heaven." What happened in Dallas this afternoon makes it impossible for us to go about our business in the ordinary way.
Literary Analysis Of The Special Form Of Satire Swift Invented For A Modest Proposal, Charles Kay Smith
Literary Analysis Of The Special Form Of Satire Swift Invented For A Modest Proposal, Charles Kay Smith
Charles Kay Smith
Some of Swift's more conventional classical figures of speech have already been noted, though more or less in isolation to one another as well as to larger designs and aesthetic aims. Swift's genius in A Modest Proposal is to create a speaker whose monologue keeps two distinct styles operational at all times. The style of which the speaker is aware is constantly opposed by covert and innovative verbal and grammatical techniques which the proposer sets in motion but of which he remains unaware, which slowly but surely turns a reader's sympathies against him and against those who share his callous …
Toward A Participatory Rhetoric: Jonathan Swift's A Modest Proposal, Charles Kay Smith
Toward A Participatory Rhetoric: Jonathan Swift's A Modest Proposal, Charles Kay Smith
Charles Kay Smith
This essay is a literary analysis of the special form of satire Swift invented for A Modest Proposal. Some of Swift's more conventional classical figures of speech have already been noted, though more or less in isolation to one another as well as to larger designs and aesthetic aims. Swift's genius in A Modest Proposal is to create a speaker whose monologue keeps two distinct styles operational at all times. The style of which the speaker is aware is constantly opposed by covert and innovative verbal and grammatical techniques which the proposer sets in motion but of which he remains …