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The Catholic Paradox Of Villette, Kevin R. Bie

Senior Honors Projects, 2020-current

Villette, published in 1853, was Charlotte Brontë’s last novel. Brontë explores both narrative and religious complexities through her narrator, Lucy Snowe. Orphaned Lucy Snowe embarks on a new life in a predominantly Catholic country where her Protestant identity is challenged. Catholicism is presented as a temptation for Lucy. Brontë reveals Lucy’s story through her notable fictional autobiography structure, but Lucy Snowe complicates the relationship between narrator and reader. Lucy explicitly capitalizes on the structure of fictional autobiography, critiquing her narration and fostering a personal relationship with the reader.

This thesis analyzes the Catholic paradox in Charlotte Brontë’s Villette by …

Religion In George R.R. Martin's "A Song Of Ice And Fire" Franchise, Sydney A. Craven

Honors Theses

This thesis is a study of religion in George R.R. Martin's A Song of Ice and Fire franchise. Specifically, George R.R. Martin's use of medievalisms, his interpretation of the Middle Ages, when creating the religions in A Song of Ice and Fire.

Deciphering Irish Catholic Identities: Past And Present, Eamon Maher

Articles

This collection of essays, compiled and edited by Oliver Rafferty, is a significant contribution to making sense of the tangled labyrinth that is Irish Catholic identities. The plural is important here, as there are, in fact, multiple Catholic identities, something that is often forgotten in the rush to blandly link “Irish” and “Catholic”.

''They All Seem To Have Inherited The Horrible Ugliness And Sewer Filth Of Sex'' : Catholic Guilt In Selected Works By John Mcgahern (1934-2006), Eamon Maher

Articles

No abstract provided.

The Religious Landscape Of Walter Macken's Fictional Universe, Eamon Maher

Articles

Eamon Maher lectures in the Department of Humanities, Technological University Dublin. He is director of the National Centre for Franco-Irish Studies.

The Tractarians' Political Rhetoric, Robert Ellison

English Faculty Research

This article examines the political speaking and writing of John Keble, John Henry Newman, and other leading figures of the Oxford Movement. It argues that while they were essentially conservative in the pulpit, where they spoke as official representatives of the Established Church, they were more critical and outspoken in other works, where they enjoyed more of the freedom afforded to private citizens.