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2016

Journal of Religion & Film

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Indigenous Helpers And Renegade Invaders: Ambivalent Characters In Biblical And Cinematic Conquest Narratives, L. Daniel Hawk Oct 2016

Indigenous Helpers And Renegade Invaders: Ambivalent Characters In Biblical And Cinematic Conquest Narratives, L. Daniel Hawk

Journal of Religion & Film

This article compares the role of ambiguous character types in the national narratives of biblical Israel and modern America, two nations that ground their identities in myths of conquest. The types embody the tensions and ambivalence conquest myths generate by combining the invader/indigenous binary in complementary ways. The Indigenous Helper assists the invaders and signifies the land’s acquiescence to conquest. The Renegade Invader identifies with the indigenous peoples and manifests anxiety about the threat of indigenous difference. A discussion of these types in the book of Joshua, through the stories of Rahab and Achan, establishes a point of reference by …

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Six Ways Of Looking At Anomalisa, David L. Smith Oct 2016

Six Ways Of Looking At Anomalisa, David L. Smith

Journal of Religion & Film

Anomalisa is a parable about the nature of human fulfilment that explores the tension between other-worldly desire (the conviction that real life must be “elsewhere”) and the kind of fulfilment that comes from a more transparent relationship to things as they are. The film explores this religious theme not only through its story, but through the way the story comments on its own embodiment as a puppet show—a work of stop-motion animation. In this paper, I try to tease out the film’s complex reflections on the real and the artificial (in particular, on the ways that a desire for “the …

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Rejecting The Ethnic Community In Little Caesar, The Public Enemy, And Scarface, Bryan Mead Apr 2016

Rejecting The Ethnic Community In Little Caesar, The Public Enemy, And Scarface, Bryan Mead

Journal of Religion & Film

Film scholars commonly suggest that the 1930s American movie gangster represented marginalized Italian and Irish-American film-goers, and that these gangsters provided a visual and aural outlet for ethnic audience frustrations with American societal mores. However, while movie gangsters clearly struggle with WASP society, the ethnic gangster’s struggle against his own community deserves further exploration. The main characters in gangster films of the early 1930s repeatedly forge an individualistic identity and, in consequence, separate themselves from their ethnic peers and their family, two major symbols of their communal culture. This rejection of community is also a rejection of the distinctly Italian …

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Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor Apr 2016

Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor

Journal of Religion & Film

Though popular films like The Bells of St. Mary’s (1945), Heaven Knows, Mr. Allison (1957), The Nun’s Story (1959), and The Sound of Music (1965) have routinely been criticized for circulating polarized stereotypes about nuns, convent memoirs indicate that some women felt the stirrings of a religious vocation from watching these movies. This article arose out of interest in whether other women heard God’s call through nun films, and is based on a survey of 86 sisters from 28 different communities who had entered the convent between 1947 and 2007, and were prepared to discuss what they saw in these …

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Examining The Critical Role American Popular Film Continues To Play In Maintaining The Muslim Terrorist Image, Post 9/11, Rubina Ramji Jan 2016

Examining The Critical Role American Popular Film Continues To Play In Maintaining The Muslim Terrorist Image, Post 9/11, Rubina Ramji

Journal of Religion & Film

This article was delivered as a paper at the 2015 International Conference on Religion and Film in Istanbul, Turkey.

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