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The Northern Ireland Broadcasting Ban: Some Reflections On Judicial Review, Geoffrey Bennett, Russell L. Weaver Jun 2019

The Northern Ireland Broadcasting Ban: Some Reflections On Judicial Review, Geoffrey Bennett, Russell L. Weaver

Russell L. Weaver

This Essay initially examines the British government's ban on its broadcasting networks that restricts coverage of Northern Ireland organizations, and concludes by making some reflections on the system of judicial review in the United States. Professors Weaver and Bennett note that a comparable ban in the United States probably would be held unconstitutional. In Great Britain, however, the courts lack a similar power of judicial review, leaving the question of the Ban's legitimacy to the political process. While Great Britain enjoys a relatively free society, the authors conclude that government control over the British media poses troubling problems and suggests …


Libraries & Turbulence: Poster Art During Social And Political Unrest, Lauren E. Robinson Dec 2017

Libraries & Turbulence: Poster Art During Social And Political Unrest, Lauren E. Robinson

Lauren E. Robinson

The article offers information related to poster arts. Topics discussed include origin of poster art by a self-taught French artist Jules Cheret, significance of political poster art in analyzing the turmoil of political and social movements in the twentieth and twenty-first centuries, and preservation and accessibility of unique graphic collection and "Divided Society Digitisation Project" of Linen Hall Library to careful acquisition and collection by the librarians and staff.


Book Review Of The Troubles And Their Aftermath: James B. Johnston's Memories Of Northern Ireland, Ted Olson Dec 2017

Book Review Of The Troubles And Their Aftermath: James B. Johnston's Memories Of Northern Ireland, Ted Olson

Ted Olson

Review of The Troubles and Their Aftermath: James B. Johnston's Memories of Northern Ireland by James B. Johnson


Constructing A Shared Identity In Deeply Divided Societies, John M. Nagle Jan 2015

Constructing A Shared Identity In Deeply Divided Societies, John M. Nagle

John M Nagle

In order to bolster sustainable peacebuilding in violently divided societies, a normative suggestion is that efforts should be made to construct a shared public identity that overarches ethnic divisions. A number of different centripetal/transformationist processes are identified as engendering a shared identity in comparison to consociational arrangements, which are accused of institutionalizing ethnic differences and perpetuating conflict. These transformationist approaches essentially rest on the premise that since ethnicity is constructed it can be reconstructed into new shared forms. Looking at Northern Ireland, we argue there are limits to the extent that ethnicity can be reconstructed into shared identities. By analysing …


"There Were Streets": Urban Renewal And The Early Troubles In London/Derry, Northern Ireland, Margo Shea Dec 2014

"There Were Streets": Urban Renewal And The Early Troubles In London/Derry, Northern Ireland, Margo Shea

Margo Shea

Spatializing Politics is an anthology of emerging scholarship that treats built and imagined spaces as critical to knowing political power. In academic and popular discourse, spaces tend to serve as passive containers, symbols, or geographical coordinates for political theories, ideologies, and histories. By contrast, the essays in this collection illustrate how buildings and landscapes as disparate as Rust Belt railway stations and rural Rwandan hills become tools of political action and frameworks for political authority. Each chapter features original research on the spatial production of conflict and consensus, which ranges from exclusion and incarceration to reclamation and reconciliation. By focusing …


“The Given Note” Traditional Music, Crisis And The Poetry Of Seamus Heaney, Seán Crosson Dr. Oct 2011

“The Given Note” Traditional Music, Crisis And The Poetry Of Seamus Heaney, Seán Crosson Dr.

Seán Crosson

This paper proposes that at a time when Northern Ireland increasingly descended into civil strife and crisis, Seamus Heaney looked to landscape, and to a lesser but comparable, extent traditional music, to articulate a distinctive voice, beyond the claims of tradition and community, ‘to use the first person singular’ as he has remarked, ‘to mean me and my lifetime’. Indeed, Heaney has faced a crisis of identity that has preoccupied Irish poets since at least the time of Yeats, a crisis brought on by the discontinuity in the Irish literary tradition, by an unresolved postcolonial condition and a struggle between …


Whatever You Say, Say Something: Remembering For The Future In Northern Ireland, Margo Shea Dec 2009

Whatever You Say, Say Something: Remembering For The Future In Northern Ireland, Margo Shea

Margo Shea

The question of how to ‘deal’ with the past in post‐conflict Northern Ireland preoccupies public conversation precisely because it separates a violent history from a fragile peace and an uncertain future. After a brief examination of contemporary Northern Ireland's culture of remembrance, this article provides some analysis of the potentials and dangers of efforts to confront the legacies of the Troubles. I argue here that the challenge for post‐conflict heritage work in Northern Ireland lies in forging practices that permit and facilitate different ways of encountering complex and contradictory histories. These new efforts to remember encourage citizens to incorporate disparate, …


Parading Persuasion: Nonviolent Collective Action As Discourse In Northern Ireland, Lester R. Kurtz Jan 2002

Parading Persuasion: Nonviolent Collective Action As Discourse In Northern Ireland, Lester R. Kurtz

Lester R. Kurtz

No abstract provided.