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Reading Joycean Comedy And Faulknerian Tragedy: Exploring The Significance Of Location, Literary Influence And The Possibilities Of Heroism With Leopold Bloom In Joyce’S Ulysses And Quentin Compson In Faulkner’S The Sound And The Fury And Absalom, Absalom!, Colin R. Cummings
Honors Theses
The distinct similarity between Joyce’s and Faulkner’s philosophical concerns (the affirmation of life in spite of its myriad difficulties), and the striking disjuncture between their aesthetic approaches (comedy for Joyce and tragedy for Faulkner), is where my interest in this project began. I sought to explore the lives and works of both writers in order to get a sense of how two artists could attempt to convey a similar message through such different means. The first thing I explore is a number of similarities between Joyce’s and Faulkner’s personal worlds (particularly their intimate connections to location) and their sources of …
James Joyce's Use Of Topography In Ulysses, Mary Beth Delea
James Joyce's Use Of Topography In Ulysses, Mary Beth Delea
Honors Theses
James Joyce's Ulysses stands out as the most conscientiously topographical novel ever written, according to the authors of Literary Landscapes of the British Isles. The Dublin which Joyce recreates is the Dublin of physical reality, painstakingly transposed so as to elicit exact details of the city. This detailed locale plays an important role in the novel, revealing many of Joyce's ingenious artistic purposes. The topography of Dublin appears the beginning of Ulysses and is significant until the end of the novel, influencing three major aspects of the work. The aspects referred to include the personality of Dublin as well as …