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A Critical Study Of The African-American Comedic Tradition, Allison Longo
A Critical Study Of The African-American Comedic Tradition, Allison Longo
Honors Theses
This thesis examines the changes in African-American comedy during the 1980s. In exploring the changes during this decade, specific attention is paid to Eddie Murphy, who achieved incredible success beginning with his 1980 entrance on Saturday Night Live. In a relatively short period of time, Murphy was able to ascend to a level of cultural significance that far dwarfed that reached by any of the African American comedians who had preceded him. Through a comprehensive presentation of the historical development of African American humor, the following thesis challenges the consensus critical assumption that Murphy both consciously forewent opportunities to be …
"Why Do We Laugh When We Should Cry?...Is It Only Here In This Sad Island?": Gender, Affect, And Empire In Rhys's Wide Sargasso Sea And Johnston's Fool's Sanctuary, Kylie Dennis
Honors Theses
British colonial literature has produced no shortage of the silent woman: she has surfaced in a variety of disguises as the domestic wife, the colonial woman, and the mysterious, exoticized other. For contemporary women writers interested in countries occupied by British forces, the prominence of the silent woman has produced a dilemma of writing agentic female characters and women's voices into literature without centuries of historical precedent for doing so. For Jean Rhys and Jennifer Johnston, dissatisfaction with the representation of women's narratives has inspired novels that engage with iconic colonial women, revising their stories and reconsidering the space for …