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“The End Of One Shall Be The End Of All”: Solidarity In 19th Century African American Texts, David Puthoff Jun 2021

“The End Of One Shall Be The End Of All”: Solidarity In 19th Century African American Texts, David Puthoff

English Language and Literature ETDs

This project examines how African American authors imagined solidarity through documents before, during, and after the Civil War. While solidarity as a framework has yet to be elucidated for literary studies, I draw on political theory and especially the works of the authors themselves to examine how solidarity as a strategy operates to facilitate cooperation between people of different or similar races or occupations in the periods of abolitionism, war, Reconstruction, and Redemption. I argue that these authors remember, imagine, and articulate small scale acts such as listening, organizing, making material aid, promoting literacy, and fundraising in the pursuit of …


The Ego At An Impasse: Aesthetic Empathy And The Abject D’Art In Fin De Siècle Supernatural Fiction, Leandra E. Binder Jul 2020

The Ego At An Impasse: Aesthetic Empathy And The Abject D’Art In Fin De Siècle Supernatural Fiction, Leandra E. Binder

English Language and Literature ETDs

This dissertation examines the symbol of an art object which represents a corpse or dead person’s identity, what I call the abject d’art, as it appears in fin de siècle supernatural fiction by Vernon Lee (Violet Paget) to identify late Victorian notions of Kristevan abjection, avant la lettre. Lee’s aesthetic philosophy informs her use of the abject d’art, especially her examination of the empathetic process as part of aesthetics to explain how individuals represent and respond to objects mentally and emotionally. Through her analysis of empathy, Lee identifies the ego as a fallible moderator of an individual’s …


The Magic Of Love: Love Magic In Medieval Romance, Dalicia Raymond Jul 2020

The Magic Of Love: Love Magic In Medieval Romance, Dalicia Raymond

English Language and Literature ETDs

This project examines authorial representations of the morality of three functions of love magic: to induce, to disrupt, and to facilitate love in twelfth- through fifteenth-century Middle High German, Old French, and Middle English romances. Using a cultural studies approach with close textual analysis and informed by gender studies, it investigates medieval romance authors’ discomfort with love inducing magic and asserts that this discomfort is a response to the magic’s violation of free will, a central tenet of medieval theology. I find that authors condemn love inducing magic but mark specific instances acceptable through explicit clarification of divine approval. Love …


Sunshine ‘89, David O'Connor Jul 2018

Sunshine ‘89, David O'Connor

English Language and Literature ETDs

Sunshine ’89 is a coming-of-age-novel, set in Canada in 1989, this creative work explores the travel of a young adoptee from a remote outpost to the bourgeois center of the country in order to pursue a life in the theatre. What ensues is a mentor-apprentice story exploring art, race, sexuality, performance, aging, dementia, alcoholism, politics, Canada, and other theme. Above all, a page- turner and picaresque romp meant to entertain and challenge.


The Wilderness In Medieval English Literature: Genre, Audience And Society, Lisa Myers Sep 2015

The Wilderness In Medieval English Literature: Genre, Audience And Society, Lisa Myers

English Language and Literature ETDs

The Wilderness in Medieval English Literature: Genre, Audience and Society' focuses on the disjunction between the actual environmental conditions of medieval England and the depiction of the wilderness in the literature of the time period from the Anglo-Saxon conversion to the close of the Middle Ages. Using environmental history to identify the moments of slippage between fact and fiction, this project examines the ideology behind the representations of the wilderness in literature and the relationship of these representations to social practices and cultural norms as well as genre and targeted audience. The first chapter argues that the depiction of early …