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Beyond Blonde: Creating A Non-Stereotypical Audrey In Ken Ludwig's Leading Ladies, Christine Young
Beyond Blonde: Creating A Non-Stereotypical Audrey In Ken Ludwig's Leading Ladies, Christine Young
Electronic Theses and Dissertations
American society possesses strong, if not basic, stereotypes for each hair color: the "dumb" blonde, the "intelligent" or "serious" brunette, and the "spitfire" redhead. In contemporary entertainment culture, blonde women have achieved unique status beyond the stereotypes accorded to their brunette and redheaded counterparts. Revered and reviled simultaneously, these women cannot be ignored or dismissed. The convention of the "dumb blonde" is at the heart of this issue. When scrutinized, it is possible to discern at least four distinctions of this stereotype: the perceived as truly dumb, or innocent, blonde (Johanna in Sweeney Todd); the bombshell blonde (Lorelei Lee in …
A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo, Jodi Coleman
A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo, Jodi Coleman
Electronic Theses and Dissertations
In 1985, Christopher Durang created a master work titled The Marriage of Bette and Boo which was described by The New Yorker as a "brimming cornucopia of brilliant lines." Frank Rich of the New York Times called it "so speedy and chipper that it could almost be mistaken for a Bob Fosse musical." Douglas Watt of the New York Daily News referred to it as a "farcical study of a disastrous marriage, marked by still births, insanity in the family and divorce." These critical responses indicate the necessity to maintain the complexity of the character of Soot without allowing her …
Making Victim: Establishing A Framework For Analyzing Victimization In 20th Century American Theatre, Victoria Hahl
Making Victim: Establishing A Framework For Analyzing Victimization In 20th Century American Theatre, Victoria Hahl
Electronic Theses and Dissertations
It is my belief that theatre is the telling of stories, and that playwrighting is the creation of those stories. Regardless of the underlying motives (to make the audience think, to make them feel, to offend them or to draw them in,) the core of the theatre world is the storyline. Some critics write of the importance of audience effect and audience reception; after all, a performance can only be so named if at least one person is there to witness it. So much of audience effect is based the storyline itself - that structure of which is created by …
The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin
The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin
Electronic Theses and Dissertations
This thesis will document the process of rehearsing and performing a one-woman show based on the life of the poet Emily Dickinson. The script is a cutting of the full-length play, The Belle of Amherst, written in 1976 by William Luce. This self-directed project will document the process that all actors use when developing a role. The first part of developing a role includes historical research, character analysis, and script analysis. The second phase is the rehearsal process. This includes developing the physical and vocal qualities of the character and staging the action of the play. Because this performance is …