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Songs Of Sorrow, Hope, And Praise: Toward A Historical Analysis Of Negro Spirituals, Hope Victoria Dornfeld

Masters Theses

Traditional Negro spirituals play a key role in America’s music history. Spirituals were initially perpetuated by enslaved Africans in the American South through the oral tradition but today are available in a wide variety of choral, vocal, and instrumental arrangements. The lecture recital that accompanies this document will present seven traditional spirituals of varying themes: “Hold On,” “Witness,” “Deep River,” “Sweet Little Jesus Boy,” “Balm in Gilead,” “Steal Away,” and “Ride On, King Jesus.” Spirituals can be described by three closely interrelated textual categories or descriptors which correspond with their original use and historical context. Songs of sorrow are those …