Digital Commons Network^™

Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen

Studies in Scottish Literature

Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.

Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Western Kentucky University

PCAL Publications

No abstract provided.

Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters, Western Kentucky University

PCAL Publications

No abstract provided.

Bibliography For The Study Of Phillip Roth's Works, Gustavo Sánchez-Canales, Victoria Aarons

CLCWeb: Comparative Literature and Culture

No abstract provided.

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

African-American Men And A Journey Through Musical Theatre And Opera, Shonn Mccloud

HIM 1990-2015

The purpose of this study is to outline the origins of African-American men in musical theatre, uncover their contributions to the art form, and explore how their legacy is continued today. I was inspired to do this research because through my undergraduate curriculum I have only narrowly studied African-American men in musical theatre and opera history. Upon realizing the lack of attention to this subject matter, not only in my curriculum but in historical resources, I was inspired to address the need for this research. The courses I have taken included Theatre History 1 and 2 and Musical Theatre History …

The Oppression And Sexism Of African-American Women: Then And Now: Substantial Contributions To The History Of Musical Theatre, Kelli Owens

HIM 1990-2015

A wise Martin Luther King Jr. once said, "Freedom is never given by the oppressor; it must be demanded by the oppressed (King 1)." For as long as men and women have shared the planet, sexism has been a universal issue in civilization. In a social justice context, American society has found ways to oppress people for centuries. The Oxford Dictionary defines sexism as a "prejudice, stereotyping, or discrimination, typically against women, on the basis of sex ("sexism")." Voting rights in America were established in 1790, but it took years of petitioning at various women's rights conventions before the Nineteenth …

Telling Tales As Oral Performance: A Cross-Cultural Comparison Of Storytelling In Ireland, Scotland And Southern Appalachia, Annalee Tull

Electronic Theses and Dissertations

I sought to link, through this paper, cultural performances of identity through storytelling in Ireland, Scotland, and southern Appalachia. I evaluated storytelling practices, whether it was a public or private performance, using symbolic interactionism, dramatist theory, narrative paradigm, and performance theory. The author studied abroad in Ireland and Scotland through the East Tennessee State University Appalachian, Scottish, and Irish Studies Program and experienced an array of stories. She then evaluated her own experiences with storytelling from growing up in southern Appalachia and visited the International Storytelling Festival in Jonesborough, TN. The research is rooted in grounded theory from ethnographies, with …

The Full Monty, Otterbein University Theatre And Dance Department

2013-2014 Season

Six unemployed steelworkers in Buffalo, New York are miserable. They have no cash and no prospects. Meanwhile, they catch their wives and other women going crazy over male strippers. The six men then set out to make some quick cash showing off their "real man" bodies by becoming a team of male strippers. As the guys work through their fears, self-consciousness and anxieties they find strength as a group and overcome their inner demons.

https://stageagent.com/shows/musical/2441/the-full-monty

The Miracle Of Being, Carolyn Toner

Senior Theses and Projects

Exploration of the thematic and performative elements in the plays of Eugene Ionesco. 20th century absurdist playwright, Eugene Ionesco, explores the idea of what it means to be human in his plays. I will explore elements of that theme and analyze of these themes in eight of his plays: Victims of Duty, The Lesson, Hunger and Thirst, Exit the King, The Chairs, Amedee, A Stroll in the Air, and The Killer. In addition, I will discuss important performative aspects of his plays as they relate to his theme of humanness.

Loving The Art In Yourself, Mary Moynihan

Books/Book Chapters

No abstract provided.

The Rivals: A Comedy, Richard Brinsley Sheridan, John Bellomo

Theatre & Dance Faculty Publications & Performances

"The Rivals" is a comedy of manners by Richard Brinsley Sheridan in five acts which was first performed at Covent Garden Theatre on 17 January 1775. Translated and adapted by John Bellomo from the Larpent Manuscript.

Interview With Margaret Toomey, Mary Moynihan

Books/Book Chapters

No abstract provided.

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

Electronic Theses and Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …

Temptress Of The Stage: Whither The Widow-Woman?, Kathryn Elizabeth Snyder

Dissertations, Theses, and Masters Projects

No abstract provided.

The Marauder’S Son: An Exploration Of The Classical Story Ballet And Children’S Literature, Emily H. Kleeman

Pitzer Senior Theses

The Harry Potter series by J.K. Rowling was, for many Millennials, a defining literary and media experience. The popularity of the series has spawned many fan-made parodies. Meanwhile, in recent years, the classical Petipa story ballet style has begun to give way to more modern structures of choreography. The Marauder’s Son, the culmination of a yearlong choreographic endeavor, is a story ballet that strives to introduce new audiences to classical dance through the use of the first book in the Harry Potter series, Harry Potter and the Sorcerer’s Stone. The full production is available for viewing in the …

A Monumental Mistake: Newly Discovered Letters To Handel Editor Samuel Arnold, Jeremy Barlow, Todd Gilman

Todd Gilman