Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Celtic Studies

ETD

Articles 1 - 2 of 2

Full-Text Articles in Entire DC Network

Amongst Women”: O’Brien, Beckett, And The Magdalen “Réamhscéal, Tiffany N. Manning Jan 2014

Amongst Women”: O’Brien, Beckett, And The Magdalen “Réamhscéal, Tiffany N. Manning

Electronic Theses and Dissertations

It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have …


Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg Jan 2014

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

Electronic Theses and Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …