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Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton
Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton
Publications and Research
Iconic sixties girl group the Ronettes are frequently (and justly) celebrated for anchoring the Wall of Sound and inspiring the Beatles, but in their own right, they transgressed social, gendered expectations in revolutionary ways. Framed by a notion I call the sonic feminine, a recuperative theoretical space for the revolutionarily transgressive work of female and femme artists, I argue that the Ronettes, and lead singer Ronnie Spector in particular, enacted a kind of cultural rebellion: they crafted their images to made-up heights that tease the boundaries of drag across the spaces of the stage, the recording studio, the bathroom, and …
Tarrying With The "Private Parts", Robert F. Reid-Pharr
Tarrying With The "Private Parts", Robert F. Reid-Pharr
Publications and Research
Two-thirds of the way through Object Lessons (2012), Robyn Wiegman's provocative study of the institutional and ideological development of what she names identity-based modes of inquiry in US colleges and universities, the author recounts a 2003 trip she took to Leiden to attend the inaugural meeting of the International American Studies Association. There, she was regularly met with the claim that American studies, at least as it is practiced by citizens and long-term residents of the United States, was deeply provincial and too caught up with rehearsals of the humdrum difficulties of American social and cultural life, particularly our always …
Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins
Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins
Publications and Research
Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Publications and Research
No abstract provided.