Digital Commons Network^™

Female Japanese Citizens In New Caledonia: Pre-December 1941, Rowena G. Ward

Faculty of Law, Humanities and the Arts - Papers (Archive)

In January 1941, the Japanese female population in New Caledonia included the Japan-born as well as former French citizens and subjects, Dutch subjects (primarily Javanese) and local Indigenous Kanak women who were married to Japanese men. Before the enactment of a new French Nationality Law in August 1927, French women who married non-French citizens became citizens of their husband's country and therefore French women who married Japanese men became Japanese. After the change in the law, French women who married Japanese retained their French citizenship. Kanak and Dutch women who married Japanese men also became Japanese. The number of Japan-born …

Genders, Sexualities And Bodies In Modern Japanese History, Vera Mackie

Faculty of Law, Humanities and the Arts - Papers (Archive)

The importance of gender to the writing of the history of modern Japan is now wellestablished. We can trace a shift from ‘women’s history’, which was largely focused on making women visible in the historical narrative, to ‘gender history’. The field of gender history deploys ‘gender’ as a major conceptual tool of analysis; considers both men’s and women’s experiences; and interrogates both masculinity and femininity (Scott 1988: 42; Molony and Uno 2005: 1–35). There is a long tradition of the writing of women’s history in the Japanese language and we now have a significant body of scholarship in the English …

Employment Of Graduates Of Japanese Language, Rowena G. Ward

Faculty of Law, Humanities and the Arts - Papers (Archive)

An underlying assumption behind the former Australian Federal Labor Government's 2012 Asian Century White Paper was that language skills were not only important for Australia's future engagement with its regional neighbours but would also lead to employment opportunities. Yet, little research has been undertaken into the employment of graduates with majors in languages, irrespective of the language. This paper discusses the results of an online survey on the use of their Japanese language in employment by graduates who undertook a major or a minor in Japanese language between 2008 and 2012. The results discussed here focus on the questions which …

The Korean “Cinema Of Assimilation” And The Construction Of Cultural Hegemony In The Final Years Of Japanese Rule, Brian Yecies, Richard Howson

Faculty of Law, Humanities and the Arts - Papers (Archive)

During the late 1930s, as Japan escalated war preparations with China, and after Governor-General Minami formalized the assimilationist ideology of “Japan and Korea as One Body”, cinema in Korea experienced a fundamental transformation. Korean filmmakers had little choice but to make co-productions that aimed to draw Koreans toward Japanese ways of thinking and living, while promoting a sense of loyalty to the Japanese Empire. Within this colonial context, and especially after the 1940 Korean Film Law facilitated the absorption of the Korean film industry into the Japanese film industry, a particular type of masculine hegemony was encouraged by a comprehensive …

Cinema Of Actuality: Japanese Avant-Garde Filmmaking In The Season Of Image Politics By Yuriko Furuhata (Review), Michael Leggett

Faculty of Law, Humanities and the Arts - Papers (Archive)

The Japanese word eizo is central to an understanding of the significance of the interventions made into the cultural life of the nation by a relatively small grouping of artists and writers working between the 1950s and 1970s. Traditionally used as a phenomenological term in science and philosophy, the character connoted shadow or silhouette, later shifting to signify optical processes. Like the Greek term tehkne, creativeness and the tools used to achieve the outcome are relative, nuanced and complex.

Ethical And Legal Issues In Teaching About Japanese Popular Culture To Undergraduate Students In Australia, Mark J. Mclelland

Faculty of Law, Humanities and the Arts - Papers (Archive)

Interest in Japanese popular culture, particularly young people’s engagement with manga and animation, is widely acknowledged to be a driving factor in recruitment to undergraduate Japanese language and studies courses at universities around the world. Contemporary students live in a convergent media culture where they often occupy multiple roles as fans, students and ‘produsers’ of Japanese cultural content. Students’ easy access to and manipulation of Japanese cultural content through sites that offer ‘scanlation’ and ‘fansubbing’ services as well as sites that enable the production and dissemination of dōjin works raise a number of ethical and legal issues, not least infringement …

Taking On Japanese Whalers: The Humane Society International Litigation, Ruth A. Davis

Faculty of Law - Papers (Archive)

On 14 July 2006 the Full Federal Court declared that Humane Society International ('HSI') could commence proceedings against Japanese whalers for alleged violations of the Australian Whale Sanctuary in Antarctica. 1 The decision was a significant victory for the public interest organisation, which had originally been denied leave to serve originating process on the Japanese defendant on the grounds that the action could be contrary to Australia's national interests. 2 In its amended statement of claim3 HSI alleged that between February 2001 and March 2005, the respondent Kyodo Senpaku Kaisha Ltd ('Kyodo') had unlawfully killed or interfered with around 385 …

Update: Japanese Whaling Litigation, Ruth Davis

Faculty of Law - Papers (Archive)

Recently the University of Tasmania Law Review reported on the ongoing litigation by the Humane Society International Inc ('HSI') against Japanese whaling in Australian Antarctic waters. On 15 January 2008, HSI was finally successful: the Federal Court declared that the whalers were in breach of the Environment Protection and Biodiversity Conservation Act 1999 (Cth) ('EPBC Act') and issued an injunction against them.

Japanese Government Policy And The Reality Of The Lives Of The Zanryu Fujin, Rowena G. Ward

Faculty of Law, Humanities and the Arts - Papers (Archive)

The zanryu fujin, (or stranded war wives) are former Japanese female emigrants to Manchuria who, for various reasons, remained in China at the end of World War Two. They were for a long time the forgotten members of Japan's imperialist past. The reasons why the women did not undergo repatriation during the years up to 1958, when large numbers of the former colonial emigrants returned to Japan, are varied, but in many cases, their 'Chinese' families played some part. The stories of survival by these women during the period immediately after the entry of Russia into the Pacific War …

Recentering Globalization: Popular Culture And Japanese Transnationalism, Matthew Allen

Faculty of Law, Humanities and the Arts - Papers (Archive)

Book review of: Recentering Globalization: Popular Culture and Japanese Transnationalism. By Iwabuchi Koichi. Durham, N.C.: Duke University Press, 2002. 288 pp. $59.95 (cloth); $19.95 (paper).

"A Mirror For Men?" Idealised Depictions Of White Men And Gay Men In Japanese Women's Media, Mark Mclelland

Faculty of Law, Humanities and the Arts - Papers (Archive)

This paper argues that Japanese women's media which portray images of foreign (nearly always white) men and Japanese gay men as objects of desire and fascination for Japanese women function as rhetorical mirrors whose real intent is to reflect back the supposed deficiencies of 'traditional' Japanese men. The paper concludes that women's media are being used as a vehicle for anti-male rhetoric, a channel for an indirect discourse of complaint whose main purpose is to critique the perceived shortcomings of ordinary Japanese men.

Out On The Global Stage: Authenticity, Interpretation And Orientalism In Japanese Coming Out Narratives, Mark Mclelland

Faculty of Law, Humanities and the Arts - Papers (Archive)

In recent years in Anglophone countries and the societies of northern Europe, the 'coming out' narrative has emerged as the primary genre through which individuals who identify as lesbian and gay narrate their lives. Through the wide reach of western gay print media and also sites on the Internet, this discourse is also gaining ground in societies where 'sexuality' has not traditionally been a privileged site of 'identity.' In the 1990s, Japan, like other societies in Asia, underwent a 'gay boom' in which new, primarily western terminology, began to be deployed in an attempt to describe and speak for previously …

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