Digital Commons Network^™

Micro-Metropolis: Space, Work, And Waste In The Maquettes Of Constant And Bodys Isek Kingelez, Shoshanah B. Rosen

Theses and Dissertations

Constant Nieuwenhuys and Bodys Isek Kingelez both create futuristic utopias in the form of architectural maquettes. This comparative study explores each artist’s reverence for technology, global connectivity, and new forms of economic production. It argues that these utopias represent desires endemic to late modernity and capitalism, including consumption, nomadism, automation.

Future Proof, Melanie Asalde-Smith

Electronic Theses, Projects, and Dissertations

My work can be distilled into two major points of inquiry: perception and technology. I render minimalist interactions between reflective planes, shapes floating in space, and portals into the void. Driven by color, light and space, my work warps its environment through the illusion of illumination and dimension, and invites viewers to lose themselves in the altered space. This work is reflective of my life experience, caught between the real and the unreal.

Technology is both a muse and a tool in creating my analog work. The screen both heightens and distracts from my anxiety. Like many in my generation, …

Saturated Skies, Childhood Trophies, And Colorful Plants, Nicholas Norris

Theses and Dissertations

My work presents interiors through the guise of memory while focusing on the sentimental objects within them. Through metaphors and signs I give form to certain events, sensations and out-of-perspective observations. Saturated skies, childhood trophies, and colorful plants find their place alongside decorated walls, floors, chairs, tables, rugs and beds.

Artistic Agency, Feminine Labor, And The Female Body In Buddhist Hair Embroideries Of The Ming And Qing Dynasties, Chloe Y. Lai

Honors Papers

Hair embroideries were an entirely female and Buddhist practice in late Imperial China, and thus operate within the bounds imposed on women by societal structures of economy and labor, and moral expectations of Confucianism and Buddhism. This was not a common practice and mostly limited to a few gentry women already connected to the art world through their husband or father (an already small demographic). Recent scholarship on Chinese Buddhist hair embroidered works by the art historian Li Yuhang analyzes them as objects of religious devotion and ritualized practice that involves repetition and incorporating the body to accumulate karmic merit, …