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Metamorphosis, Allegra Codamon
Metamorphosis, Allegra Codamon
Theses and Dissertations
Relevance to Interior Design Research
In Richard Sennett’s The Craftsman, he starts from the premise that thinking and feeling are contained in the process of making. This thesis builds on that premise, arguing that through the embodied process of glassworking, making constitutes a form of interior knowledge—where perception, memory, and bodily awareness are formed through material resistance and responsiveness. Drawing on Sennett and Juhani Pallasmaa, this work positions glassmaking as a mode of thinking-through-doing, in which interiority is produced through sustained material engagement.
Research Question
What does interiority embodied through the making process look like? This question will be investigated …
Light And Unseen, Daša Kulikova
Light And Unseen, Daša Kulikova
Theses and Dissertations
This thesis is a body of paintings and two poetic fragments. Shaped by distance and displacement, the work finds its ground in the tension between the desire to be free from the past and heal, and longing for home and connection. Painting practice becomes an event of contact with what is lost, or unclear, or in the process of becoming through accumulating layers, marks, erasures, and traces of the process of its making.
From Here And Now: Monuments Of Today And Everyday, Adam Shaw
From Here And Now: Monuments Of Today And Everyday, Adam Shaw
Theses and Dissertations
The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.
Contingency Holding By A Thread: Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Contingency Holding By A Thread: Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Graduate Research Theses & Dissertations
Ghada Amer is a diasporic, female, artist of color who creates canvases that wield the domestic as both medium and subject. Her fiber work, including an early formative series combined with her later pornography pieces, feature densely threaded surfaces where images of women working oscillate between representation and non-objectivity. This thesis intervenes with the existing discourse surrounding Amer’s oeuvre by utilizing the artist’s own words along with materialist and intersectional theoretical material to offer two novel interpretive approaches. Specifically, I argue that Amer uses a gendered formula that is reflected visually as a way of referencing the entirety of a …
Volume 47, Number 16: December 09, 2009, University Of North Dakota
Volume 47, Number 16: December 09, 2009, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 28: March 14, 1997, University Of North Dakota
Volume 34, Number 28: March 14, 1997, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 27: March 7, 1997, University Of North Dakota
Volume 34, Number 27: March 7, 1997, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 26: February 28, 1997, University Of North Dakota
Volume 34, Number 26: February 28, 1997, University Of North Dakota
University Letter Archive
No abstract provided.