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From Here And Now: Monuments Of Today And Everyday, Adam Shaw
From Here And Now: Monuments Of Today And Everyday, Adam Shaw
Theses and Dissertations
The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.
Buffer, Graham Macaulay
Buffer, Graham Macaulay
Electronic Thesis and Dissertation Repository
This thesis dossier is separated into the following distinct sections. The first is an extended artist statement that attempts to locate the uncertain objects of my practice within a relational field, involving writing around becoming, unaccountability and empathy, among other things. The second is a portfolio of photographic documentation of artworks made during my MFA candidacy, primarily attending to documentation of my concurrent thesis exhibition. The third is a case study exploring the work of artist Erin Shirreff, who works between photography, video and sculpture, among other media, drawing attention to bodily presence and duration through mediated structures.
Contingency Holding By A Thread : Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Contingency Holding By A Thread : Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Graduate Research Theses & Dissertations
Ghada Amer is a diasporic, female, artist of color who creates canvases that wield the domestic as both medium and subject. Her fiber work, including an early formative series combined with her later pornography pieces, feature densely threaded surfaces where images of women working oscillate between representation and non-objectivity. This thesis intervenes with the existing discourse surrounding Amer's oeuvre by utilizing the artist's own words along with materialist and intersectional theoretical material to offer two novel interpretive approaches. Specifically, I argue that Amer uses a gendered formula that is reflected visually as a way of referencing the entirety of a …
Contingency Holding By A Thread: Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Contingency Holding By A Thread: Intersectionality In Selected Works By Ghada Amer, Sarah Eileen Sabo
Graduate Research Theses & Dissertations
Ghada Amer is a diasporic, female, artist of color who creates canvases that wield the domestic as both medium and subject. Her fiber work, including an early formative series combined with her later pornography pieces, feature densely threaded surfaces where images of women working oscillate between representation and non-objectivity. This thesis intervenes with the existing discourse surrounding Amer’s oeuvre by utilizing the artist’s own words along with materialist and intersectional theoretical material to offer two novel interpretive approaches. Specifically, I argue that Amer uses a gendered formula that is reflected visually as a way of referencing the entirety of a …
Volume 47, Number 16: December 09, 2009, University Of North Dakota
Volume 47, Number 16: December 09, 2009, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 28: March 14, 1997, University Of North Dakota
Volume 34, Number 28: March 14, 1997, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 27: March 7, 1997, University Of North Dakota
Volume 34, Number 27: March 7, 1997, University Of North Dakota
University Letter Archive
No abstract provided.
Volume 34, Number 26: February 28, 1997, University Of North Dakota
Volume 34, Number 26: February 28, 1997, University Of North Dakota
University Letter Archive
No abstract provided.