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Images Of Loss In Tennessee Williams's The Glass Menagerie, Arthur Miller's Death Of A Salesman, Marsha Norman's Night, Mother, And Paula Vogel's How I Learned To Drive, Dipa Janardanan
English Dissertations
This dissertation offers an analysis of the image of loss in modern American drama at three levels: the loss of physical space, loss of psychological space, and loss of moral space. The playwrights and plays examined are Tennessee Williams's The Glass Menagerie (1945), Arthur Miller's Death of a Salesman (1949), Marsha Norman's 'night, Mother (1983), and Paula Vogel's How I Learned to Drive (1998). This study is the first scholarly work to discuss the theme of loss with these specific playwrights and works. This dissertation argues that loss is a central trope in twentieth-century American drama. The purpose of this …
The "Infernal World": Imagination In Charlotte Brontë'S Four Novels, Cara Maryjo Cassell
The "Infernal World": Imagination In Charlotte Brontë'S Four Novels, Cara Maryjo Cassell
English Dissertations
If you knew my thoughts; the dreams that absorb me; and the fiery imagination that at times eats me up and makes me feel Society as it is, wretchedly insipid you would pity and I dare say despise me. (C. Brontë, 10 May 1836) Before Charlotte Brontë wrote her first novel for publication, she admitted her mixed feelings about imagination. Brontë’s letter shows that she feared both pity and condemnation. She struggled to attend to the imaginative world that brought her pleasure and to fulfill her duties in the real world so as to avoid its contempt. Brontë’s early correspondence …