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"Sing To The Lord A New Song": Memory, Music, Epistemology, And The Emergence Of Gregorian Chant As Corporate Knowledge, Jordan Timothy Ray Baker

Masters Theses

Following the Christianization of the crumbling Roman Empire, a wide array of disparate Christian traditions arose. A confusion of liturgical rites and musical styles expressed the diversity of this nascent Christendom; however, it also exemplified a sometimes threatening disunity. Into this frame, the Carolingian Empire made a decisive choice. Charlemagne, with a desire to consolidate power, forged stronger bonds withRome by transporting the liturgy ofRome to the Frankish North. The outcome of this transmission was the birth of a composite form of music exhibiting the liturgical properties ofRome but also shaped by the musical sensibilities of the Franks—Gregorian chant.

This …

The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez

Masters Theses 1911 - February 2014

This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …

Reading Ruins Against The Grain: Istanbul, Derbent, Postcoloniality, Rebecca Gould

Rebecca Gould

No abstract provided.

Leaving The House Of Memory: Post-Soviet Traces Of Deportation Memory, Rebecca Gould

Rebecca Gould

No abstract provided.