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Feasibility Of Distributed Fiber Optic Sensor For Corrosion Monitoring Of Steel Bars In Reinforced Concrete, Liang Fan, Yi Bao, Genda Chen

Civil, Architectural and Environmental Engineering Faculty Research & Creative Works

This study investigates the feasibility of distributed fiber optic sensor for corrosion monitoring of steel bars embedded in concrete. Two sensor installation methods are compared: (1) attaching the sensor along the bar and (2) winding the sensor on the bar. For the second method, optical fibers were winded spirally on steel bars with different spacings: 0 mm, 2 mm, 5 mm, and 10 mm. Steel bar pull-out testing was conducted to evaluate the effect of presence of distributed sensor on the bond strength of steel—concrete interface. Electrochemical testing was carried out to assess the influence of the installation methods on …

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp

Masters Theses

Abstract

Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative, …

Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi

Creative Works

“Between the Bars” is a senior project exhibition, in collaboration with Cal Poly Sociology Professor Dr. Unique Shaw-Smith. Featuring artwork produced by incarcerated artists, the goal is to undo negative stereotypes and to empower the rehabilitation of incarcerated artists individually and collectively through art.The exhibit demonstrates that rehabilitation does occur in prison and emphasizes that art has the power to transcend all social differences and divisions. The exhibit features more than 60 works in diverse mediums including sculpture, painting, and poetry by 34 incarcerated artists from California Men’s Colony.

This catalog represents the onsite exhibit of the same name, which …

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally; …

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences with the …

Enter The Void: Visual And Other Pleasures, Serena Silver

Bachelor of Fine Arts Senior Papers

My research and art practice focus on the idea of power dynamics where the female is the passive object of the active male gaze. Through the influx of digital social media platforms, these power dynamics exist in many fluid forms which is what I believe to be the relationship between the masculine and the feminine- where the masculine is inevitably always alpha. In contemporary terms, this power dynamic exists and penetrates our daily consumption of visual culture. From the art world to the fashion industry and beyond- all are feeding into consumerism and capitalism. People have become brands, or as …

No One Belongs Here More Than You, Tania Y. Silver

Student Projects

Through collection, installation, and maintenance of discarded plant materials this body of work explores protection and care of the self.

Profanation, Tsahi Zac H. Hacmon

Theses and Dissertations

This paper attempts to provoke an Israeli American dialogue that comes through profanity of conventional architecture. I am creating this dialogue by displaying two main subjects in proximity to each other: border architecture from Israel and institutional architecture or non-places in New York.

This Is Not A Memorial, Kaitlin Burger

Senior Honors Projects, 2010-2019

After the Vietnam / American War, both lives

and land were left devastated and still remain

scarred, acting as a tangible memory of the

violence that occurred on Vietnamese soil.

Craters the size of lakes cover the countryside.

People live daily with the injuries and birth

defects resulting from malicious warfare. Though

the fighting is over, the suffering is not. Also

left behind were thousands of pounds of unexploded

ordinance embedded into the landscape, waiting to

resurface. In many unfortunate cases, the

curiosity of children has lead them to these

brightly-colored objects and, thus, their death.

My architectural installation will …

Things That Don't Work: An Exploration In Sculpture And Installation, Mark Tyler Frasier

Graduate Theses

This thesis statement will explore connections between my work and contemporary artists and its references to art movements including Minimalism, Dada and Surrealism, and Installation art. My thesis work explores the metaphors of current social and political constructs that seem to operate properly, but in reality, do not. My intention is to juxtapose constructed and found fragments of mixed media in such a way as to subvert their traditional associations in order to encourage viewers to question reality. My relationship to the materials and interest in the process are as important to me as the final product. No single piece …

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.

Slab Tipper, Thomas C. Durand

All Undergraduate Projects

Stone countertops are very heavy and fragile. When installing a finished countertop, up to six workers are required to lift the stone onto the countertop, risking their safety and possibly breaking the stone. The safety of both the workers and the stone are very important, so there needs to be a better way. NSI Solutions came up with an idea for a mechanism to aid in the insulation process while limiting the number of workers required, and keeping the workers safer while adequately supporting the stone to prevent it from breaking. Designing methods and calculations were done to ensure the …

Easy Install Outboard Motor Mount, Doug Dunbar

All Undergraduate Projects

The boating industry can be expensive for the typical weekend boater. That is, keeping, maintaining, and using a boat and all of its various accessories is a constant cost for the owner. In the Midwest and inland it is necessary to store boats and outboard boat motors out of the inclement weather and harsh conditions of seasonal change. Specifically, removing or installing an expensive and awkward outboard motor can be both dangerous financially and physically (damage or injury). It is not uncommon for motors to cost several thousand dollars.

The purpose of this project was to research, design, and implement …

Using Of Water-Heating Convective Drying Unit Dehydration Medicinal Plants, Sh.A Sultanova, J.E Safarov, U.M Azizov

Problems and Perspectives in Pharmaceutics and Drug Discovery

The technique and technology of drying medicinal plants with preservation of biologically active sub-stancesis developed. The characteristics of the processes of sorption and desorption of medicinal plants are studied. Based on the results of the study of the thermal and sorption properties of the dried products, the permissible temperature, drying time and the principle of the installation of a water-heating convec-tion dryer have been determined. The composition of the final product is determined.

Maureen Lutz Senior Art Show Portfolio, Maureen Lutz

Senior Art Portfolios

Maureen Lutz Senior Art Show Portfolio

Installation And Operation Of An Inductively-Coupled Plasma (Icp) Etcher, Eve Arnold

Journal of the Microelectronic Engineering Conference

This project follows the design of the full timeline of an equipment installation in a microelectronics cleanroom, from developing an understanding of the tool through preparation of facilities, installation of the tool, and setup for use. The tool installed is a Plasmatherm Apex SLR Inductively-Coupled Plasma (ICP) Etcher manufactured by Advanced Vacuum. This tool was purchased by an RIT professor for ICP etching on III-V substrates, a new capability for the RIT SMFL. Installed additionally are the auxiliary equipment units, including two chillers, a Gas Reactor Column (GRC), and a roughing pump. The operation of the main tool for processing …

The Building Breathes Together, Mckeever Donovan

Theses and Dissertations

The Building Breathes Together presents a realm of speculative, industrial habitation and alchemical production. In my instillation, I look to raise questions surrounding romantic notions of production and utility. The work introduces a surreal and haunted space of decomposition and regeneration.

Assessment Of The Accuracy Of Cable Sheath Fault Location Device And Enhancement Of Its Performance, Niall Kennedy, Joseph Kearney, Tom Looby, Ciaran O'Leary

Conference papers

As power system networks are being constantly upgraded and extended, there is a greater importance in the reliable transmission of electrical power and fault finding techniques, especially for cables installed underground. Damage to a cable’s protective sheath can damage a cables life span and also lead to disruption of system operation and loss of supply. This study includes research into the literature and techniques used to locate these faults accurately. Bridge resistance and volt drop measurement techniques are the main methods used by sheath fault location devices to locate faults accurately. This task is made more difficult because such devices …

Play Thing, James Edwin Herbert

Senior Projects Spring 2018

“Play Thing is a musical installation made both to entertain and to challenge a viewer. Every nook of the structure pushes viewers to find their place within it, whether by tempting them to pay a quarter to smash an explosive phallus, or else by daring them to try out an untrustworthy tricycle. A constant flow of risk and reward permeates the space while moments of painstaking craftsmanship, coupled with the chaos of a playful viewer, up the stakes of interaction.

I came to Bard College a luthier having never taken a class in studio art. Until quite recently I …

Freedom Within, Freedom Without, Olivia K. Shubin

Senior Projects Spring 2018

It has always been hard for me to talk about my art. I used to not think about it so much, it was just a way that I could communicate what was important to me without having to say it. Being a shy person socially, painting gives me a way to be bold yet still be somewhat separate from what I feel; once it’s outside of me, I don’t have to “own” it. I can paint the dark things I feel, and people don’t have to associate those dark emotions with me; I can say I’m just “going for something,” …

"Can You Shut The Door Behind You?", Nate Millstein

Senior Projects Spring 2018

"Can you shut the door behind you?" creates a parallel between the basement and the subconscious. These settings (one mental and one physical) serve as storage units. In creating these spaces, I became fascinated with the container as a sculptural form; objects whose purpose is to carry and cradle other objects. Pipes cycling water throughout the home, crates and boxes holding family memorabilia, washing machines continuously cycling dirty laundry. My work captures how these containers, abandoned in this forgotten space, grow and decay. The entire space is in and of itself a constructed container a viewer may enter. Casting is …

#Lonelymovie Or The Continuation Of Our Brand And The Good Feelings It Produces, Theodore Philip Rosen

Senior Projects Fall 2018

#LonelyMovie or the Continuation of our Brand and the Good Feelings It Produces

A Senior Project submitted to

The Division of the Arts

Bard College

By Theodore Rosen

#LonelyMovie or the Continuation of our Brand and the Good Feelings It Produces

A Senior Project submitted to

The Division of the Arts

Bard College

By Theodore Rosen

#LonelyMovie or the Continuation of our Brand and the Good Feelings It Produces

A Senior Project submitted to

The Division of the Arts

Bard College

By Theodore Rosen

#LonelyMovie Artist Statement

Artist’s List:

1. Stevie Wonder

2. Mario

3. Bowser

4. Cartoon Network

5. Jack Link’s

6. Takashi Murakami

7. Gatorade …

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Lessons, Kathryn K. Murphy

Theses and Dissertations

I am learning through these lessons.

The following document includes my convoluted musings about my work, making process, and body leading up to my thesis exhibition, Avoidance Kitchen. My struggle with my reflected image comes from my struggle with my self-perceived physical image.

What does it mean for a piece to disappear, only to find the reflection of someone else's work or body in its place? Is my craft rendered obsolete if all you want to do is take a funny selfie? Is my work unacknowledged if all you see is the sculpture across the room, in reverse? What happens …

A Familiar House, William Lenard

Theses and Dissertations

The landscapes of my home in Connecticut are important to me. When I was young, I went to the woods for seclusion and comfort. While I wandered through the woods, I discovered a passion for storytelling. Now that I no longer live in New England, I miss the familiar landscapes of home. As a way to portray my sentiment, I write poetic narratives and create objects to illustrate natural landscapes.

I combine my interests of classic Americana art and literature with brutalist architecture and modern furniture to create immersive installations. I work with concrete and hardwood to materially bridge the …

The Break, Ian Gerson

Theses and Dissertations

The Break is a personal investigation into problems and possibilities of representing my specific transgender identity.

Trans as a tactic to speak about a state of forever becoming, forever in between, outside of and in opposition to dominant social norms of being.

Trans as a model for a different way of viewing and being in the world.

Can we form a different kind of horizontal shared power though a collective refusal to play into existing structures from which we have been excluded? What are the potentials for modeling other ways of being, other ways of (dis)engaging, other ways to be …

Homage To Cube, Ken Lu

Graduate Theses, Dissertations, and Problem Reports

No abstract provided.

Load - Bearing, Elyse Sawka

Student Projects

This body of work explores the understanding of literal and metaphoric attachments to intimate spaces I once had access to; my interest lies in memory, identity, and place. This investigation began with photographic documentation and then image deconstruction either digitally or physically. I employ the practices of photography, installation, and sculpture in a constant state of examination of space, form, and perspective. load - bearing occupies the space between familiar and foreign. Through the re-contextualization of images, intimate objects, and raw construction material, I edge closer to understanding the lasting impression of space and the way memory can eclipse experience.