Digital Commons Network^™

Localism As A Production Imperative: An Alternative Framework To Promoting Intangible Cultural Heritage And Expressions Of Folklore, Jon M. Garon

Jon M. Garon

In the United States, the policy of localism – the legislative goal of fostering local community expression and competence to deliver local content – finds its home in the Telecommunications Act rather than either the Copyright Act or Trademark Act. Other nations have introduced values of localism into trade policy, content distribution rules, and international efforts to protect intangible cultural heritage and expressions of folklore.Jurisdictions in every continent are struggling to address the pressures of globalism through efforts to protect indigenous peoples’ and minority communities’ languages and culture. These efforts take many forms. Nations have introduced efforts to protect these …

Screen Credit And The Writers Guild Of America, 1938-2000: A Study In Labor Market And Idea Market Intermediation, Catherine L. Fisk

Catherine Fisk

This Article explores how the Writers Guild of America facilitates the labor market for writers and the market for ideas, scripts, and treatments for film and TV. The Article, which is based on research in the archives of the Writers Guild not available to the public, argues that the Guild has survived conditions that might lead to de-unionization because of the value it provides all types of writers and all types of employers in managing the labor and idea markets. In particular, the Guild administers two private intellectual property rights systems – the screen credit system and the script registry …

Alexander Korda And His "Foreignized Translation" Of The Thief Of Bagdad (1940), Jessica Caroline Alder Wiest

Theses and Dissertations

Adaptation studies has recently turned an eye towards translation theory for valuable discussion on the role of movie makers as translators. Such discussion notes the difficulties inherent in adapting a medium such as a book, a play, or even a theme park ride into film. These difficulties have interesting parallels to the translation of one language into another. Translation theory, in fact, can shed important light on the adaptation process. Intrinsic to translation theory is the dichotomy between domesticating translation and foreignizing translation, the two major styles of translation. Translation scholar Lawrence Venuti, the author of these two terms, argues …

Leading Ladies?: Feminism And The Hollywood New Wave, Allison A. Smith

Pell Scholars and Senior Theses

In the late 1960s, a new film movement emerged in Hollywood cinema known as the Hollywood New Wave. The women’s movement began roughly the same time as the Hollywood New Wave, but feminism was rarely a topic discussed in Hollywood cinema. The Hollywood New Wave is often considered a “boy’s club,” in the sense that most of the filmmakers, actors and other crewmembers were male and writing stories about male experiences. Women did have a part in these films in a limited way, yet there are some examples of strong female characters in select films.

Indianizing Hollywood: The Debate Over Bollywood's Copyright Infringement, Hariqbal Basi

Hariqbal Basi

For decades, the mainstream Indian film industry, known as Bollywood, has remade copyrighted Hollywood films for the Indian audience without legal repercussions. This practice has gone unnoticed by Hollywood until recently, and accusations have since been brought against Indian filmmakers for copyright infringement. This note provides an in depth analysis of why these potentially infringing films have only become the subject of litigation over the last two years, cultural arguments advanced by Indian filmmakers for why their remakes should constitute original, and not infringing, works, and what the effects of litigation have been. As the two industries become increasingly intertwined, …

Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith

American Studies Faculty Publication Series

A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.

Comparative Study Of The Practice Of Product Placement In Bollywood And Hollywood Movies, Shruti Vinayak Gokhale

Master's Theses

Product placement, or placing brands in movies, is a widely recognized practice that dates from the 1980s. This study is a content analysis of product placement in 15Bollywoodand 15Hollywoodmovies from 2005 to 2009.

Statistical tests showed that there were a significantly higher number of product placements in Hollywood movies that were integrated into the storylines, verbally referred to by characters in the movies, appropriate to the movie scenes, and containingimplied endorsementsby the actors than product placements in Bollywood movies. However, in terms of duration of the time that brands were onscreen, product placements in Bollywood movies in 2006 and 2007 …

But Where Will They Build Their Nest? Liberalism And Communitarian Resistance In American Cinematic Portrayals Of Jewish-Gentile Romances, Holly A. Pearse

Theses and Dissertations (Comprehensive)

This dissertation analyzes approximately fifty American films that feature predominantly heterosexual interfaith/intercultural romantic, sexual or marital relations between Jewish and Gentile protagonists. It asks what political or social ideals can be illustrated by these portrayals, and how these films can be taken cumulatively to explore trends in modern life. The author places liberalism at the heart of the mainstream Hollywood discourse on intermarriage, and shows how films that run counter to the expectations of liberal romances may reflect communitarian critiques of liberal tenets.

The issue of intermarriage is contextualized with a discussion of the endogamous tradition in Judaism, and by …

Postmodern Anarchism In Post-Millennial Hollywood: Cyber Revolutionaries And (In)Corporeal (Hyper)Realities, Jason Swiderski

Digitized Theses

An analysis of recent Hollywood blockbuster films reveals the frequent use of anarchism as a trope for negotiating the atmosphere of cultural, political and economic uncertainty that has come to characterise life in the twenty-first century. By applying a technologically-informed strand of anarchism Lewis Call characterizes as postmodern anarchism to these films, socio-cultural tensions and anxieties over the proliferation of digital technologies, fluctuating notions of masculinity and femininity and the threat of terrorism can be allegorically mapped and traced within their narratives. A close analysis of two films that bracket this period, Fight Club (Fincher, 1999) and The Dark Knight …

Indianizing Hollywood: The Debate Over Bollywood's Copyright Infringement, Hariqbal Basi

Hariqbal Basi

For decades, the mainstream Indian film industry, known as Bollywood, has remade copyrighted Hollywood films for the Indian audience without legal repercussions. This practice has gone unnoticed by Hollywood until recently, and accusations have since been brought against Indian filmmakers for copyright infringement. This note provides an in depth analysis of why these potentially infringing films have only become the subject of litigation over the last two years, cultural arguments advanced by Indian filmmakers for why their remakes should constitute original, and not infringing, works, and what the effects of litigation have been. As the two industries become increasingly intertwined, …